To describe Abel Ferrara as something of a cinematic enfant terrible would be something of a devastating understatement. Hell, the fact that he made Driller
To describe Abel Ferrara as something of a cinematic enfant terrible would be something of a devastating understatement. Hell, the fact that he made Driller
Once upon a time, long before irreverent Neil Gaiman adaptations, psychotic twelve year-old vigilantes and groovy X-Men movies set in the swinging sixties, Matthew Vaughn
So, before we get started, I guess it’s time to address the scowling, Italian-American elephant in the room – to date I have never seen