Hammer Films was chiefly renowned for their revolutionary contributions to the horror genre, but when they weren’t slapping a new coat of paint on such
Tag: Hammer
The Mummy (1959) – Review
After retro-fitting and updating such classic characters as Frankenstein and Dracula with more modern (for the 50’s anyway) sensibilities, it was a shoo-in that Hammer
Blood From The Mummy’s Tomb (1971) – Review
As the production line of Hammer Films trundled on provide its audiences with their fourth and final Mummy pic, a rash of behind the scenes
The Abominable Snowman (1957) – Review
By 1957, Hammer Films had already dipped their toes into the horror/sci-fi/fantasy market with The Quatermass Xperiment and X the Unknown (lot of X’s there),
Quatermass And The Pit (1967) – Review
Much like the disbelieving military types that constantly frustrate the volcanic titular scientist, I’ve kinda done the Quatermass movies ass-backwards. You see, Hammer Film’s third
The Legend Of The 7 Golden Vampires (1974) – Review
When studios pool their resources the results sometimes tend to be a little erratic. Now, when I say pooling, I don’t mean two Hollywood powerhouses
The Curse Of Frankenstein (1957) – Review
Hammer Studios had dipped its toes into the realms of horror fantasy before with the adaptation of The Quatermass Xperiment, but in 1957, the studio
The Satanic Rites Of Dracula (1973) – Review
By the time Hammer’s Dracula series made it to its eighth and final installment, you could that the lifeblood of the continuing misadventures of Christopher
To The Devil A Daughter (1976) – Review
By 1976, the once mighty Hammer Films was seemingly running on fumes after an existence that spanned over forty years, but after delivering a string
She (1965) – Review
There’s a delightful string of wonky fantasy/adventure movies from the 50’s, 60’s and 70’s that still carry buckets of charm even though these days some
The Revenge Of Frankenstein (1958) – Review
After the hugely favourable reception the Hammer got for their ever-so-dashing version of Mary Shelley’s Frankenstein (not to mention the similar thumbs up they got
Dracula (1958) – Review
Whenever a filmmaker puts a sexy new spin on a classic character, there’s always a certain amount of pushback from purists crying heresy, but if
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