While it’s tough to imagine it during his more sillier moments, Godzilla has always been a creature with one, googly eye on social issues, be
While it’s tough to imagine it during his more sillier moments, Godzilla has always been a creature with one, googly eye on social issues, be
By 1968, Toho Studios had been on something of a Kaiju roll for well over a decade, but, behind the scenes, rumblings were occuring that
Over the last couple of Godzilla movies, a noticable swing toward showing the King Of The Monster’s in a more heroic light was emerging and
By the tenth movie in Godzilla’s cinematic odyssey, some bright spark at Toho realised that the greatest resource in keeping the King Of The Monsters
By the time we reached the fifth movie in the life and times of the legendary city stomper known as Gojira, Toho studios were in
Unhelpfully renamed “Gigantis: The Fire Monster” in the U.S. – presumably because “Godzilla Raids Again” calls up unwanted images of Gojira driving into the front
After a somewhat muted response to Godzilla Raids Again, the King Of The Monsters took something of a sabbatical as he literally chilled out within
Before 1954, filmdom’s premier leading man in the giant monster stakes was King Kong. A roaring slice of romanticized Americana and an unabashed helping of
Social commentary had always been Godzilla’s jam since his atomic inception, however, by the early 70s, this hadn’t really been working for him as well
By the time Godzilla’s career had reached 1967, the salty tempered saurian had pretty much done it all. He’d been cast as a villainous metaphor
After his Toho-mandated rumble with King Kong gave Godzilla some much-needed box office, it seemed like a no-brainer for the studio to dig further into