The Phantom Of The Opera (1962) – Review

After taking up the horror baton from the truly seminal, genre defining run of creature features from Universal, Hammer Studios had carte blanche to take

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Asylum (1972) – Review

Almost imperceptibly, the landscape of horror was changing. With the 60s now comfortably in the review mirror, a cadre of hungry directors are now poised

The Sect (1991) – Review

Also known in the US under the more prosaic title of The Devil’s Daughter, The Sect saw flashy director Michele Soavi continue to work under

The Dead Zone (1983) – Review

During the whirlwind of Stephen King adaptations that followed in the wake of Brian DePalma’s sublime Carrie, it seemed like everyone was wrestling to grab