Thanks to the dubious choice of splitting each episode between dueling time periods, Netflix’s Resident Evil has had the trouble of keeping its pace consistent
Tag: Horror
To The Devil A Daughter (1976) – Review
By 1976, the once mighty Hammer Films was seemingly running on fumes after an existence that spanned over forty years, but after delivering a string
Zombi 5: Killing Birds (AKA. Zombie Flesh Eaters 4) (1988) – Review
We’ve covered the lawless world of 80’s Italian genre cinema quite a few times before, be it their blatant disinterest in copyright laws to their
Top 5 Traumatic Trophies Claimed By The Predator
Since 1987, one irrefutable rule has stood tall within the realms of action/sci-fi/horror cinema that reads clearly: fuck with the Pred and you’ll end up
Resident Evil – Season 1, Episode 4: The Turn (2022) – Review
It been only three episodes since I started Netflix’s Resident Evil series and I swear it’s felt more like 14 – and not in a
Resident Evil – Season 1, Episode 3: The Light (2022) – Review
If I’m being honest, despite the presence of various pus-faced zombies, skinned dogs and more sinister laboratories than you can shake a hypodermic at, Netflix’s
‘Chucky’ – Season 2 Comic-Con Teaser
SyFy has released the teaser for the second season of ‘Chucky’. Good Guy dolls always have more fun. See what’s in store for Charles Lee
Underworld: Evolution (2006) – Review
There’s a pronounced feeling that the makers of Underworld may have wanted to be the spiritual successor to Wesley Snipes’ Blade franchise as it contains
Resident Evil – Season 1, Episode 2: The Devil You Know (2022) – Review
At the time of writing, Netflix’s Resident Evil series hasn’t been getting the greatest of reviews and I can generally see why. I mean, we’re
Top 5 Rankings Of The Halloween Multiverse
If 2022 is the year of the Multiverse thanks to movies like the Doctor Strange sequel and the magical Everything Everywhere All At Once, then
Resident Evil – Season 1, Episode 1: Welcome To New Racoon City
I’ve been weirdly fascinated/confused at the continuing attempts to make Resident Evil a thing beyond the series of iconic video games that exists as the
Underworld (2003) – Review
Ever since Dracula and the Wolf Man briefly butted their heads in the closing moments of Abbott And Costello Meet Frankenstein, Hollywood has sporadically tried
Pieces (1982) – Review
Advertised in some corners of the world with the brazenly unsubtle tagline “You don’t have to go to Texas for a chainsaw massacre”, Pieces is
Angel Heart (1987) – Review
Film noir has had some radical variations over the years; from Ridley Scott’s moody, future shock, extravaganza, Blade Runner, to Rian Johnson’s Raymond Chandler inspired
Shocking Dark (1989) – Review
We’ve stumbled across the works of Bruno Mattei – aka. Vincent Dawn – a couple of times on this site before (arguably too much) but
The Beyond (1981) – Review
To a layman of 80’s Italian horror, it would painfully easy to cast a disparaging eye over the frenzied output of Lucio Fulci and dismiss
The Revenge Of Frankenstein (1958) – Review
After the hugely favourable reception the Hammer got for their ever-so-dashing version of Mary Shelley’s Frankenstein (not to mention the similar thumbs up they got
Deepstar Six (1989) – Review
To say that 1989 was flooded with aquatic horror/sci-fi thrillers would be an understatement tantamount to saying that the North Pole is “a bit nippy”,
The Black Phone (2022) – Review
One of the secrets behind Stephen King’s success (aside from him being a really good writer) was that the early adaptations of his work had
Graveyard Shift (1990) – Review
Possibly one of the most frustrating things about a duff Stephen King adaptation is the choice of certain filmmakers to allow the deeper meanings of
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