I genuinely believe that if more movies were like Slither, James Gunn’s glorious pastiche of 50’s monster movies given a hilarious blast of punk rock
Tag: Horror
Diary Of The Dead (2007) – Review
The late, great George Romero was more than capable at trying his hand at all kinds of horror, but the man will forever be linked
Tales From The Crypt Presents: Demon Knight (1995) – Review
Long before shows like The Walking Dead and Game Of Thrones pushed the envelope of the amount of sex and gore you could get away
The Babysitter (2017) – Review
If you were to cast an eye over the directorial career of McG, a pattern starts to emerge of a blockbuster director who really had
Class Of Nuke ‘Em High III: The Good, The Bad And The Subhumanoid (1994) – Review
The good, the bad and the subhumanoid; it’s the latest movie from Michael and Lloyd!” blares the title song as the credits mercifully roll on
Blood Beach (1981) – Review
Blood Beach aficionados would probably “um, actually” my lumping in of 1980’s Jaws wannabe Blood Beach into the killer animals genre and I’m loathe to
The Invisible Man (1933) – Review
One of the less utilized members of the gang of misshapen creatures known collectively as the Universal Monsters is the Invisible Man. Believe it or
Abbott And Costello Meet Frankenstein (1948) – Review
By the mid-40’s, Universal Studios were still looking for any way they could to keep their legendary stable of marauding monsters profitable. Their bright idea?
Candyman: Day Of The Dead (1999) – Review
What is it about the creations of Clive Barker that make them so difficult to sequelize without his core concepts collapsing into steaming piles of
Bride Of Frankenstein (1935) – Review
When people start chipping in when asked about the greatest sequels ever made, I’m always sorta pissed that in among the usual retorts of The
Silent Hill: Revelation (2012) – Review
Christophe Gans 2006 adaptation of the smash hit game Silent Hill didn’t exactly set the world on fire despite it’s visually stunning depictions of Hell
The Mummy (1932) – Review
Those who got their primary fix of undead Egyptians from 1999’s The Mummy (or even Tom Cruise’s 2017 version, Anubis forbid) have some cinematic archeology
Dracula (1931) – Review
Quite possibly the most over-filmed novel that’s ever existed (virtually anything with vampires in techincally a riff), Bram Stoker’s Dracula has gone through more iterations
Frankenstein (1931) – Review
After the odd genre release during the silent era, Universal finally launched into what would become known as the Universal Monsters franchise 1931 with a
[Rec] (2007) – Review
Hurtling out of a pitch black crawl space somewhere in Spain to sink it’s teeth into the overpopulated genres of the zombie film and the
Hush (2016) – Review
Mike Flanagan has built himself up into quite the horror factory of late, most famous these days for his heartfelt Stephen King adaptations and his
Black Water: Abyss (2020) – Review
Presumably made to remind a blissfully ignorant world that killer croc movie, Black Water was made back in 2007 – a film that I’d actually
Class Of Nuke ‘Em High Part II: Subhumanoid Meltdown (1991) – Review
Since the 80’s, riotous independent studio Troma has dumped their cinematic equivalent of toxic waste all over the landscape, getting into the faces of their
Black Christmas (1974) – Review
Back in the glory days of the slasher genre, Christmas themed stalk and stab flicks were suprisingly prevalent. Such sleazy gore fests such as Silent
The Brood (1979) – Review
Divorce does odd things to the creators of genre entertainment and I’m not talking about the stressful heartbreak of such films as Marriage Story or
We Have Issues 