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Tag: Ishiro Honda

Dogora (1964) – Review

February 3, 2025 greigzilla

For a little while there, I was getting a little worried. When casting an eye over the filmography of Ishirō Honda I was starting to

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The H-Man (1958) – Review

November 14, 2024 greigzilla

While Ishiro Honda will always be most famous for unleashing a 165 foot tall irradiated lizard onto the world as it masqueraded as the social

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The Mysterians (1957) – Review

November 10, 2024 greigzilla

There’s a test I tend to put on the works by Japanese filmmaker Ishiro Honda that I like to call the Godzilla test. It’s born

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Matango (1963) – Review

November 5, 2024 greigzilla

Hey, you guys all know Ishiro Honda right? I mean, some of you less familiar with Japanese fantasy cinema actually might not instantly have prior

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Atragon (1963) – Review

November 3, 2024 greigzilla

Ishiro Honda rightfully is held aloft as one of Japan’s leading purveyor of sci-fi and adventure primarily because of his most famous creation, the city

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Frankenstein Conquers The World (1965) – Review

August 10, 2022 greigzilla

Japanese Kaiju movies from the 50’s and 60’s tended to come complete with the weirdest plots, but maybe that’s to be expected from a country

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Space Amoeba (1970) – Review

August 7, 2022 greigzilla

Boasting an original title that translates as Gezora, Ganimes, and Kamoebas: Decisive Battle! Giant Monsters of the South Seas – but released in America with

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Varan The Unbelievable (1958) – Review

July 9, 2021 greigzilla

If you ever wondered how foreign monster movies were marketed to America back in the days of the 50’s and 60’s, you’d need look no

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War Of The Gargantuas (1966) – Review

April 28, 2018 greigzilla

Godzilla and Mothra director Ishiro Honda was always trying to bring something new to that strange little genre known as the Japanese monster flick with

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Destroy All Monsters (1968) – Review

April 26, 2018 greigzilla

By 1968, Toho Studios had been on something of a Kaiju roll for well over a decade, but, behind the scenes, rumblings were occuring that

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King Kong Escapes (1967) – Review

April 24, 2018 greigzilla

Despite their routinely “out there” plots, most of Toho’s monster output still manage to make a certain amount of sense when judged by their own

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Mothra (1961) – Review

April 23, 2018 greigzilla

Ishiro Honda – surely the Stan Lee of monster movies – by this point in his career had belted out more than his fair share

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Rodan (1956) – Review

April 21, 2018 greigzilla

It’s easy to fall into the trap of thinking that all Japanese monster movies are cut from the same cloth and that they’re pretty much

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Invasion Of Astro-Monster (1965) – Review

April 20, 2018 greigzilla

Over the last couple of Godzilla movies, a noticable swing toward showing the King Of The Monster’s in a more heroic light was emerging and

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All Monsters Attack (1969) – Review

April 19, 2018 greigzilla

By the tenth movie in Godzilla’s cinematic odyssey, some bright spark at Toho realised that the greatest resource in keeping the King Of The Monsters

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Ghidorah: The Three-Headed Monster (1964) – Review

April 18, 2018 greigzilla

By the time we reached the fifth movie in the life and times of the legendary city stomper known as Gojira, Toho studios were in

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Terror Of Mechagodzilla (1975) – Review

April 7, 2018 greigzilla

Fate has a funny way of working out sometimes. Take the two Mechagodzilla movies Toho put out in the mid-70s for example what was supposed

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King Kong Vs Godzilla (1962) – Review

March 30, 2018 greigzilla

After a somewhat muted response to Godzilla Raids Again, the King Of The Monsters took something of a sabbatical as he literally chilled out within

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Godzilla (1954) – Review

March 27, 2018 greigzilla

Before 1954, filmdom’s premier leading man in the giant monster stakes was King Kong. A roaring slice of romanticized Americana and an unabashed helping of

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Mothra Vs. Godzilla (1964) – Review

March 15, 2018 greigzilla

After his Toho-mandated rumble with King Kong gave Godzilla some much-needed box office, it seemed like a no-brainer for the studio to dig further into

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