Contamination (1980) – Review

I know this is a subject that this site has already broached many times before and will no doubt do so many more times in

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The New York Ripper (1982) – Review

Even though I’m probably going to catch hell (or even a knife in the privates) for this, I have to admit I never really cared

The Psychic (1977) – Review

Anyone familiar with the more outrageous moments of Lucio Fulci’s output will no doubt be aware that once the maniacal sod entered the gorier era

Manhattan Baby (1982) – Review

For those not in the know, Lucio Fulci is one of the greatest paradoxes of Italian horror cinema. His movies were often stunningly shot with

Django, Prepare A Coffin (1968) – Review

In the world of the vast, sprawling, and mostly unofficial, Django-verse, digging up a worthy successor to Sergio Corbucci’s gothic original is often as tough

StageFright (1987) – Review

While loaded with a plethora of alternate titles that range from the trippy (Aquarius), to the bizarre (Bloody Bird), StageFright remains a flamboyant and stylish

Torso (1973) – Review

Say what you will about the Giallo genre, they certainly don’t hold back when naming a movie. Renamed to a shorter and more succinct “Torso”

The Sect (1991) – Review

Also known in the US under the more prosaic title of The Devil’s Daughter, The Sect saw flashy director Michele Soavi continue to work under

The Church (1989) – Review

In an alternate timeline, Dario Argento – the Italian master of horror – and Michele Soavi – the man responsible for the magnificently flamboyant 80s

The House By The Cemetery (1981) – Review

Lucio Fulci could hardly be described as the most lucid filmmaker of Italian horror, but even by his defiantly illogical standards, The House By The

Blood And Black Lace (1964) – Review

While Dario Argento is rightfully credited as the uncontested ruler of the slash-tastic murder mystery genre known as Giallo, one of the vital creators of

The Cat o’ Nine Tails (1971) – Review

After setting Italian Giallo cinema ablaze with his stunningly stylish debut, The Bird With The Crystal Plumage, Dario Argento had something of an impossible task

Django (1966) – Review

For the majority of casual western fans, the alpha and the omega of the Spaghetti Western is usually considered to be Sergio Leone’s legendary contributions

Killer Crocodile 2 (1990) – Review

Looking back over my previous review of Fabrizio De Angelis’ original Killer Crocodile, I was stunned to see I’d given it a whopping three stars

Zombi 5: Killing Birds (AKA. Zombie Flesh Eaters 4) (1988) – Review

We’ve covered the lawless world of 80’s Italian genre cinema quite a few times before, be it their blatant disinterest in copyright laws to their

Robowar (1988) – Review

I think I’m in need of some sort of intervention or something, because I can’t seem to stop searching out and exposing myself to the

Shocking Dark (1989) – Review

We’ve stumbled across the works of Bruno Mattei – aka. Vincent Dawn – a couple of times on this site before (arguably too much) but

The Beyond (1981) – Review

To a layman of 80’s Italian horror, it would painfully easy to cast a disparaging eye over the frenzied output of Lucio Fulci and dismiss

Strike Commando 2 (1988) – Review

We’ve encountered Bruno Mattei on this page before, but for those unfamiliar with possibly Italian cinema’s most blatant rip off artist, here’s a quick run

Burial Ground (1981) – Review

By the time that 1981 rolled around, the Italian zombie movie was already succumbing to advanced rot despite only hitting its heyday a couple of

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