Only The Brave (2017) – Review

You ever feel like sometimes knowing too much about a movie messes up your experience of watching it? I’m not talking about plot leaks, spoilers

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Seventh Son (2014) – Review

Why is nailing fantasy on film so damned hard? While other may debate that the lucrative likes of Lord Of The Rings and Harry Potter

Tron: Ares (2025) – Review

Despite the hold it seems to have on a section of cinema goers of a certain generation, I’ve never overtly been a Tron kind of

Hell Or High Water (2016) – Review

Back in the days of the classic western, the division between the black and white hats who would clash over the law were as clearly

True Grit (2010) – Review

The Coen Brothers are probably two most reliable filmmakers working today, but their output during the ’00 was uncharacteristically shakey. Starting the decade off with

Starman (1984) – Review

Anyone who is familiar with the filmography of cult messiah John Carpenter will be comfortably aware of the themes that course through the various plots

Tron: Legacy (2010) – Review

As I’ve mentioned countless times before, legacy Sequels seem to be Hollywood’s current favoured method of increasing the lifespan of movie franchises while still maintaining

Tron (1982) – Review

Much like The Black Hole or Dragonslayer, Tron was another tonally strange attempt from Disney to bring their live action movies up to date in

King Kong (1976) – Review

Remakes are a mixed bag. You either enhance the original concept with an updated viewpoint and enhanced technology or you bury it deeper than a

Bad Times At The El Royale (2018) – Review

Tricksy, labyrinthine plots are somewhat a double edged sword. Go too simple and the audience pulls way out in front, able to second guess every

Iron Man (2008) – Review

And so it all began right here, the irresistible epicentre of the unstoppable force of cinematic nature that became the Marvel Cinematic Universe. The rebirth

Kingsman: The Golden Circle (2017) – Review

Writing 3-star reviews for movies are tough. What you are essentially doing is telling your reader all the bad things that are in the film