Dogora (1964) – Review

For a little while there, I was getting a little worried. When casting an eye over the filmography of Ishirō Honda I was starting to

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Atragon (1963) – Review

Ishiro Honda rightfully is held aloft as one of Japan’s leading purveyor of sci-fi and adventure primarily because of his most famous creation, the city

Destroy All Monsters (1968) – Review

By 1968, Toho Studios had been on something of a Kaiju roll for well over a decade, but, behind the scenes, rumblings were occuring that