Horror has always had it’s more than its fair share of social commentary, but the 70s was it’s own animal entirely. Fueled by the anti-establishment
Horror has always had it’s more than its fair share of social commentary, but the 70s was it’s own animal entirely. Fueled by the anti-establishment
Way before the uproar that faced Crash in 1996, it seems that even as early as his third film, David Cronenberg had what it took