Good Luck, Have Fun, Don’t Die (2025) – Review

The use of AI in everyday culture is increasing rapidly to the point where it’s virtualy omnipresent and the concern that many are expressing is

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A Working Man (2025) – Review

Does anyone else think that David Ayer is going through some elaborate form of mid-life crisis? I only bring it up because after a career

Shooter (2007) – Review

Never was the Mark Wahlberg rule more fully in effect than in Shooter, Antoine Fuqua’s muscular 2007 snipe-fest. What exactly was the Mark Wahlberg rule,

Moonfall (2022) – Review

When news of the latest kaboom-fest from Roland Emmerich was due to land, I genuinely had mixed emotions. Emmerich had been semi-regularly bombarding our multiplexes

Fury (2014) – Review

David Ayer is a filmmaker that doesn’t deal in half measures. Responsible for either writing or directing a string of absurdly hard edged street thrillers,

Battle: Los Angeles (2011) – Review

In the years since Independence Day cornered the market on crowd pleasing, flag waving alien invasion movies it seems that Hollywood has been trying to

Fantasy Island (2020) – Review

The concept of taking an old cult TV show and flipping the genre around is nothing new. Just take such movies such as 21 Jump

The Martian (2015) – Review

Consider Ridley Scott.A director I genuinely regard as cinema’s greatest living visualist, he’s recently been knocking out films the rate of Woody Allen (roughly one

Ant-Man (2015) – Review

As we all know (and probably getting quite sick of hearing it) Marvel Studios have garnered quite the rep when it comes to risk taking,

Ant-Man And The Wasp (2018) – Review

Of all the superhero movies released in the immediate wake of the seismic climax of Infinity War, surely Ant-Man & The Wasp had the greatest