It’s always been something of a towering irony that the animation house that arguably took the crown from Disney was one that actually belonged to
It’s always been something of a towering irony that the animation house that arguably took the crown from Disney was one that actually belonged to
South Korean filmmaker Bong Joon-ho has always specialised in giving familiar genres a memorable, off-beat spin in way that often results in irresistible masterpieces. Be
Referred to elsewhere as Grinding Nemo (although I’d also accept 50 Shoals Of Grey, Brine And A Half Weeks or Basic Fin-stinct), Guillermo Del Toro’s
Let us regard Pixar for a minute and the sheer scale and quality of their product since they reinvented the animation wheel with Toy Story
Blumhouse is at it again. Utilizing their uncanny sense of the zeitgeist and racially progressive stories in order to add some much needed spice with