Over the span of its five installments, the Sartana managed to put together a western anti-hero who had two noticable attributes: The first was a
Tag: Piero Lulli
Sartana’s Here… Trade Your Pistol For A Coffin (1970) – Review
During his second movie, the extravagantly titled I Am Sartana, Your Angel Of Death, the titular gunslinger enigmatically announced that “Anyone could be Sartana”; but
Django Kill… If You Live, Shoot! (1967) – Review
Anyone even remotely familiar with the knowledge that Italian exploitation producers treat copyright and trademark laws like something they’ve just scraped of the sole of
We Have Issues 