Some horror plots are just unavoidably grim. It comes with the territory, really; but every now and then, you settle down in front of a
Some horror plots are just unavoidably grim. It comes with the territory, really; but every now and then, you settle down in front of a
For such a seemingly “normal” director as John Boorman, he didn’t half go all in when it came to cramming cinema full of batshit, crazy.
There’s no two ways about it, a follow up to Beverly Hills Cop should have been nothing short a slam dunk. Just look at the
In a decade known for absurdly swole action heroes recklessly turning nameless bad guys into human doughnuts with enough firepower to overthrow Cuba, Beverly Hills
Say what you will about the two laughably cheap 1979 TV movies that played absurdly fast and loose with Captain America’s history, at least they
Picture the scene if you will as a Disney-eyed, painfully innocent 11-year-old me pops into a local corner shop and emerges having being rented Robocop
Snuggled neatly in the centre of Paul Verhoven’s magnificent unofficial Sci-fi trilogy, sits Total Recall (we don’t count Hollow Man, Kevin Bacon’s invisible penis thriller,