Tetsuo: The Bullet Man (2009) – Review

Emerging from the the grainy, black and white frazzle of an 80s avant garde, art house experiment, came Shinya Tsukamoto’s Tetsuo: The Iron Man, a

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Tetsuo II: Body Hammer (1992) – Review

There’s been a long and storied history of young, visionary directors who chose to semi-remake their rough-looking, low budget debuts with more cash and experience

Hiruko The Goblin (1991) – Review

Swerving from the experimentally industrial metallic/phallic leanings of the Tetsuo movies to riffing on the gonzo energy of Sam Raimi’s Evil Dead movies, director Shinya