Proving that old Hollywood adage of nothing ever dies, the trio of mask wearing, Tamara inquiring, thrill killers known as the Strangers have returned to
Tag: Slasher
The New York Ripper (1982) – Review
Even though I’m probably going to catch hell (or even a knife in the privates) for this, I have to admit I never really cared
The Strangers (2008) – Review
For decades, the slasher movie seemed to operate on a particular set of tropes, forged in the blood of countless teens who thought that getting
StageFright (1987) – Review
While loaded with a plethora of alternate titles that range from the trippy (Aquarius), to the bizarre (Bloody Bird), StageFright remains a flamboyant and stylish
Torso (1973) – Review
Say what you will about the Giallo genre, they certainly don’t hold back when naming a movie. Renamed to a shorter and more succinct “Torso”
My Bloody Valentine (2009) – Review
During that era of horror remakes that flooded the genre throughout the 2000s, one thing became abundantly clear, no matter how good each attempt actually
Mickey’s Mouse Trap – Official Trailer
The trailer has been released for Mickey’s Mouse Trap. It’s Alex’s 21st Birthday, but she’s stuck at the amusement arcade on a late shift so
New Year’s Evil (1980) – Review
By 1980, a lot of the choice dates for seasonal set slasher films had already been nabbed with Black Christmas, Halloween and Friday The 13th
Silent Night, Deadly Night Part 2 (1987) – Review
Sleazy slashers don’t come more notorious than Charles E. Sellier Jr’s gleefully grotty, 1984, seasonal slice ‘n dice, Silent Night, Deadly Night. While a fairly
It’s A Wonderful Knife (2023) – Review
During this unexpected, third age of the slasher movie, we’ve had some impressive variations on the stalk and slash theme that’s managed to differentiate it
Thanksgiving (2023) – Review
When it comes to those cracking fake trailers made for the intermission of Quentin Tarantino and Robert Rodriguez’s failed cinematic experiment, Grindhouse, only Rodriguez has
Totally Killer (2023) – Review
For better or worse (mostly better), the effects of Chrstopher Landon’s genre blending Happy Death Day are still keenly being felt as every year now
Chucky – Season 3, Episode 2: Let The Right One In (2023) – Review
After two seasons on the air (not to mention seven, damn, movies), Don Mancini and his writers room have had to strive and keep the
Chucky – Season 3, Episode 1: Murder At 1600 (2023) – Review
In a time when all the classic slashers seem to be finding new leases of life, leading the pack us the defiant, shit-eating smirk of
The Blackening (2022) – Review
One of the most notorious tropes of cinema is that of the black character either dying first, or, at the very least, not making it
Haute Tension (2003) – Review
Anyone in the know would tell you: don’t fuck with New French Extremity because it would most likely fuck you back.Linked to the New Extremity
Blood And Black Lace (1964) – Review
While Dario Argento is rightfully credited as the uncontested ruler of the slash-tastic murder mystery genre known as Giallo, one of the vital creators of
A Bay Of Blood (1971) – Review
When people throw around well deserving names like Dario Argento and Lucio Fulci when describing the pinnacles of Italian horror, another name that isn’t hurled
Scream VI (2023) – Review
Picture the scene – Ghostface stands over a gibbering victim during the trademark, precredits sequence in the latest Scream film only to utter the legend:
Top 5 Victorious Vanquishings Of Ghostface
Needless to say, massive freaking spoiler warnings from here on in. One thing that sets Ghostface apart from his horror brethren is the fact that
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