If I had to unwrap the chief issue I have with classic Mummy films, it’s the fact that the majority of them all seem made

If I had to unwrap the chief issue I have with classic Mummy films, it’s the fact that the majority of them all seem made
After retro-fitting and updating such classic characters as Frankenstein and Dracula with more modern (for the 50’s anyway) sensibilities, it was a shoo-in that Hammer
Watching the 2017 attempt to resurrect The Mummy is painfully awkward in more ways that one. The quality of the movie itself notwithstanding, screen writer
After the frenetic action gumbo of The Mummy Returns – a hyperbolic action/adventure that placed exhausting action sequences next to career worst examples of CGI
The early millennium must have been Willy Wonka’s Chocolate factory for any filmmaker with adolescent tendencies who had been hired to tackle a sizable summer
Back in 1999, I remember emerging from the cinema feeling a little nonplussed about The Mumny, Stephen Sommers’ mega budgeted remake of the classic Universal
“How stupid can you get?” Demands the long suffering Bud Abbott to his even longer suffering partner Lou Costello at one point during this last
Fifth time round on the raggedy, dusty carousel that is the classic Universal Monsters Mummy series and we find a movie that’s very appropriately titled
While you could accuse the majority of the sequel outings of the Universal Monsters gang of being noticably deficient in the originality gene, the continuing
When Universal Studios decided to up-shift the amount of movies that featured their stock horror characters, you get the genuine impression that the Mummy might
After finding success with further sequels to their Frankenstein and Invisible Man franchises, Universal decided to plunder the sarcophagus of their horror back catalogue and
Those who got their primary fix of undead Egyptians from 1999’s The Mummy (or even Tom Cruise’s 2017 version, Anubis forbid) have some cinematic archeology