Over the last couple of Godzilla movies, a noticable swing toward showing the King Of The Monster’s in a more heroic light was emerging and
Over the last couple of Godzilla movies, a noticable swing toward showing the King Of The Monster’s in a more heroic light was emerging and
By the time Godzilla and the rest of his monstrous, cinematic ilk had loped to 1973, quality wasn’t really that much of a requirement. TV
By the tenth movie in Godzilla’s cinematic odyssey, some bright spark at Toho realised that the greatest resource in keeping the King Of The Monsters
By the time we reached the fifth movie in the life and times of the legendary city stomper known as Gojira, Toho studios were in
Despite being a somewhat consistently inconsistent run of films, Toho’s Millenium Era of Godzilla movie had each been fairly fun affairs, but if truth be
Since its kickoff in 1999 with Godzilla 2000, the Millenium Era of Godzilla movies had kept up a strict, unbroken run of keeping each entry
Another entry into the Millennium series of Godzilla movies and yet another reboot…While the previous era of Godzilla movies (the Heisei Era, if anyone’s asking)
While Godzilla’s much hyped rebirth into the realms of Japanese cinema had kicked off in entertaining fashion, you could hardly describe Godzilla 2000 as being
Godzilla, the big, radioactive lizard with serious mood issues, has been stomping cities flat for over 60 years now, with over 30 titles to his
Godzilla Vs. Mechagodzilla II (which is a title that blatantly makes no sense seeing as it’s a technically ser in a rebooted universe) is generally
To state that Godzilla 2000 is something of a curious beast is something of an understatement even though we’re talking about a lizard so huge,
Fate has a funny way of working out sometimes. Take the two Mechagodzilla movies Toho put out in the mid-70s for example what was supposed
To quote Fight Club: “On a long enough timeline, the survival rate for everyone drops to zero” and this proves to be true even to
After a nearly unbroken string of movies ranging from good to very good, the Heisei series of Godzilla films had but up quite a head
After Godzilla’s previous outing to give Japan a clouting – the furiously timey timey Godzilla Vs. King Ghidorah – parent studio Toho decided to keep
Unhelpfully renamed “Gigantis: The Fire Monster” in the U.S. – presumably because “Godzilla Raids Again” calls up unwanted images of Gojira driving into the front
After the relative box office disappointment of Godzilla’s previous attempt at levelling the skyline of Tokyo into something resembling the Arizona Flats, Toho Studios reasoned
After a somewhat muted response to Godzilla Raids Again, the King Of The Monsters took something of a sabbatical as he literally chilled out within
You’d think that after getting Godzilla back on his feet with a much publicized resurrection , Toho would be eager to put their largest franchise
Despite being burdened with one of the most needlessly unwieldy titles in movies history, Godzilla, Mothra, King Ghidorah: Giant Monsters All Out Attack (for the