Part of growing up watching the horror directing legends of the past was concocting what kind of cool shit you’d get if you merged their
Tag: Tom Savini
Monkey Shines (1988) – Review
While George A. Romero was most famous for reinventing the living dead as we know them today, becoming famous as the king of the zombies
The Burning (1981) – Review
1981 was something of a banner year for the slasher film that not only saw the first of many Friday The 13th and Halloween sequels,
Maniac (1980) – Review
In a time when even the grottiest of films usually come with a comforting veneer of sheen, it’s great to take the time every now
Martin (1977) – Review
George A. Romero had already earned himself a reputation for adding an original spin on classic horror tropes thanks to his bold reinvention of the
Machete Kills (2013) – Review
Even after making a full length movie out of his fake, Mexploitation trailer, Machete, it seemed that Robert Rodriguez still hadn’t gotten Grindhouse out of
Machete (2010) – Review
You be honest with you, by the time Robert Rodriguez released Machete on the world, I was pretty much over the whole fake Grindhouse craze
Night Of The Living Dead (1990) – Review
Between the flashy, kick-ass remakes of the 80s and the reboot monsoon that washed throughout the horror genre during 2000s, there lies Night Of The
Creepshow – Season 1, Episode 6: Skincrawlers/By The Silver Water Of Lake Champlain (2019) – Review
And so, after five episodes and ten stories of wildly varying tone and quantity, the Creep final flicks through the final issue of the first
From Dusk Till Dawn (1996) – Review
“Everybody be cool.” swaggers George Clooney’s impossibly charismatic career criminal, directly into the camera, near the start of From Dusk Till Dawn, “You, be cool.”.
Planet Terror (Grindhouse) (2007) – Review
In my review for that other member of the Grindhouse double bill, Quentin Tarantino’s Death Proof, I briefly laid out the history of his and
Land Of The Dead (2005) – Review
Twenty years after the sun went down on George A. Romero’s 1985 zombie epic, Day Of The Dead, fans had anxiously been awaiting to see
Friday The 13th (1980) – Review
In the fittingly cutthroat world of Hollywood, sometimes the line between art and business isn’t quite as fine as some would have you believe –
Creepshow 2 (1987) – Review
Inferior sequels are legion in and around the mean streets of the genre of 80’s horror and the belated follow up to George A. Romero
Dawn Of The Dead (1978) – Review
In 1978, 10 years after his undisputed horror classic Night Of The Living Dead built an entire subgenre from the ground up, George A. Romero
Creepshow (1982) – Review
Arch zombie-meister and genuine horror legend George A. Romero and Stephen King were always a stone’s throw away from collaborating together to the point where
Day Of The Dead (1985) – Review
Originally seen as the black sheep of the late, great George A. Romero’s dead trilogy, the climatic installment of the peerless horror franchise has defiantly
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