To say that Tony Scott had an eclectic filmography is something of an understatement. Kicking off his feature career with goth vampire arthouse flick, The
Tag: Tony Scott
Man On Fire (2004) – Review
Thanks to movies like Taken, the subgenre of formerly dramatic actors suddenly becoming indestructible avenging angels have become a regular sight when someone wants to
Dèjá Vu (2006) – Review
Whether we like it or not, surveillance is a part of modern life now with cameras literally everywhere. Be it on street corners, ATMs, hovering
The Hunger (1983) – Review
Thanks to the hyperbolic sight of Tom Cruise in aviator shades existing to the music of Kenny Loggins, Tony Scott took Hollywood by storm after
Unstoppable (2010) – Review
From the gothic/new romantic/vampire trappings of The Hunger to the overblown Americana of Top Gun, Tony Scott never really did things by half, but I
True Romance (1993) – Review
Back when Quentin Tarantino was only one movie deep into his two-film conquest of Hollywood, the assault was carried on in his stead by a
Enemy Of The State (1998) – Review
I don’t think I’d be too out of line by suggesting that during the 90s, Tony had supposed Ridley about who was the best Scott
Crimson Tide (1995) – Review
When approaching a submarine movie, its wise to keep the nature of pressure in mind. Not just the incredible forces that diving to unfathomable fathoms
Days Of Thunder (1990) – Review
Days Of Thunder should have been an easy slam dunk. Think about it: Top Gun is an awesome movie, right? So what if we took
Beverly Hills Cop II (1987) – Review
There’s no two ways about it, a follow up to Beverly Hills Cop should have been nothing short a slam dunk. Just look at the
The Last Boy Scout (1991) – Review
After the glorious excesses of the 80’s, certain genres (let’s say the more far fetched ones) had to find a way to change with the
Top Gun (1986) – Review
Anyone familiar with the comedy stylings of stoney faced, stand-up Rich Hall must be familiar with his bit about how Tom Cruise movies are all
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