AdiĂłs, Sabata (1970) – Review

If you needed an example of the random craziness of the chaotic, virtually lawless world of the Italian film industry, a perfect microcosm might actually

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Return Of The Seven (1966) – Review

Rinse and repeat sequels have always had their pros and cons. For example, your leads and the world they operate in has already been established,

The Magnificent Seven (1960) – Review

Expertly panel beating the plot of Akira Kurosawa’s Seven Samurai into a shape that could comfortably sustain cowpokes instead of sword swingers, The Magnificent Seven