Black Sunday (1960) – Review

While Mario Bava doesn’t seem to get as much credit for creating a certain kind of visual style (I didn’t see him get name-dropped in

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Pit And The Pendulum (1961) – Review

Of all the handsome Edgar Allan Poe adaptations Roger Corman mounted during the 60s, surely the most infamous was Pit And The Pendulum; a rousing

Shivers (1975) – Review

Way before the uproar that faced Crash in 1996, it seems that even as early as his third film, David Cronenberg had what it took

Piranha (1978) – Review

Super-producer Roger Corman was never one to let an easy buck pass him by so when Jaws scored huge at the box office he was