The Death Of Robin Hood (2026) – Review

Famous tales, especially the old ones, are always open to reinterpretation, but even by gritty, grisly, grounded standards, Michael Sarnoski’s The Death Of Robin Hood

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The Odyssey (2026) – Review

It seems like Christopher Nolan has always been drawn to men playing gods. If it isn’t Batman and his rogue’s gallery trying to bend the

Troy (2004) – Review

Once Ridley Scott’s Gladiator threw open the door of possibilities and revived the expired sword and sandals epics that used to populate the cinema of

Pathfinder (2007) – Review

Sometimes a movie comes along with a premise so promising, it causes you to uncontrollably salivate like Giger’s Alien at the prospect of experiencing it.

300 (2006) – Review

Throughout his very notable career, the indomitable Zack Snyder and his filmography has swung wildly between having me be genuinely impressed with his distinctive, muscular

Gladiator (2000) – Review

At one point in Gladiator, Ridley Scott’s epic exhuming and re-animating of the entire sword and sandal genre, Russell Crowe’s stoic general, Maximus Decimus Meridius,

Lone Wolf And Cub: Sword Of Vengeance (1972) – Review

Chances are, even if you’ve never even heard of the Lone Wolf & Cub series, you’ve still most likely come across it in some form.

The Last Of The Mohicans (1992) – Review

Michael Mann is known as one of greatest directors of cops and robbers movies that’s ever set foot on a film set, and rightfully so

The 13th Warrior (1999) – Review

Before Robert Eggers’ The Northman and six seasons of Michael Hirst’s insanely popular Vikings, movies featuring those notoriuos, shaggy Nordic marauders (let alone good ones)

Pompeii (2014) – Review

I guess we can’t blame Paul W.S. Anderson for wanting to multitask; after all this is a man who once thought it was a good

The Woman King (2022) – Review

Ever since Ryan Coogler’s Black Panther decisively threw open the doors for blockbuster movies that feature predominantly black casts, filmmakers and themes, I’ve been patiently

The Northman (2022) – Review

In merely two films, director Robert Eggers has positioned himself to being the go-to guy for traumatizing yet rich experiences in a period setting. 2015’s

The Vikings (1958) – Review

Watching the epics from cinema’s past is often a surreal experience as it’s kinda weird to see what trends were obsessing audiences during Hollywood’s many