These days, switching an established horror series over to the small screen is a fairly regular and painless occurrence with franchises such as The Evil
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Don’t Breathe 2 (2021) – Review
When deciding to take a villain from a genre flick and flip the audience’s perception of them for a sequel or reimagining, much like the
The Mummy’s Tomb (1942) – Review
When Universal Studios decided to up-shift the amount of movies that featured their stock horror characters, you get the genuine impression that the Mummy might
Star Trek III: The Search For Spock (1984) – Review
Deep sixing a beloved character in popular fiction has always been fairly complicated. Death threats from outraged basement dwellers with a tenuous grasp of reality
Free Guy (2021) – Review
It’s a well known fact by now that movies that adopt the mechanics of how videogame’s work into their plots usually end up being far
House Of Dracula (1945) – Review
After a relentless release schedule that saw Universal hock its horror characters onto audiences at a punishing rate, it was getting pretty clear that some
Howling III: The Marsupials (1987) – Review
Anyone hoping that the stunning quality drop of Philippe Mora’s Howling II from Joe Dante’s kickass original was only a minor blip in the wildly
Dirty Harry (1971) – Review
The image of Clint Eastwood chewing on a cigar, wrapped in a poncho and squinting at his enemies from underneath a dusty cowboy hat is
Jungle Cruise (2021) – Review
Not content with the seemingly endless stream of content they’ve gleaned from Marvel, Star Wars and all the times they’ve remade their own movies into
The Legend Of Tarzan (2016) – Review
Hands up if you can remember the last Tarzan movie you saw? Not even the last GOOD Tarzan movie, just the last one, period.A George
47 Ronin (2013) – Review
When 2021 ends, there will have been two big budget action films financed by American money that feature Asian leads. Obviously time will tell whether
Young Guns (1988) – Review
The 80’s seemed to be somewhat of a barren time for the western as audiences flocked to a rather different type of all-American hero in
The Reef (2010) – Review
In the swirling wake left by 2003’s Open Water, filmmakers realised that by utilising modern camera technology with old school guerilla filmmaking, your killer shark
House Of Frankenstein (1944) – Review
After dropping Frankenstein’s Monster and the Wolf Man into a predictably brutal double date with 1942’s aptly named Frankenstein Meets The Wolf Man, it obviously
Werewolves Within (2021) – Review
The good werewolf movie is a beast that’s sometimes a rare as the mythical, hairy slave to the lunar cycle itself with there not being
The Suicide Squad (2021) – Review
Much like the laughable, morally murky villians at the core of DC’s The Suicide Squad, the main elements that have put this movie together has
The Final Conflict (1981) – Review
Retroactively renamed Omen III – The Final Conflict in order to bring some continuity to the franchise’s titles (this was, of course, long before the
Star Trek II: The Wrath Of Khan (1982) – Review
Ok, real talk. The maiden cinematic voyage of the crew of the U.S.S. Enterprise didn’t really cut the mustard with a first movie that was
The Mummy’s Hand (1940) – Review
After finding success with further sequels to their Frankenstein and Invisible Man franchises, Universal decided to plunder the sarcophagus of their horror back catalogue and
The Howling (1981) – Review
It’s not even up for debate that 1981 was emphatically the year of the Werewolf. Not only did it see the release of lycanthope pack
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