Any of you out there snorting in derision at the 5-star rating I’ve decided to heap upon James Wan’s legendarily grimy debut needs to to
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
TerrorVision (1986) – Review
Satire is tough to pull off, especially if A) you’re in the sci-fi and/or horror genre and B) you aren’t Paul Verhoven, but that doesn’t
Galaxy Quest (1999) – Review
In the furthest reaches of the charted universe, in the region astronomers have labelled The Nebula Of Underrated Comedies, lies a vast supernova made up
The Island Of Dr Moreau (1977) – Review
Fate hasn’t been kind to the various attempts Hollywood has made to realise H.G. Wells’ epic novel of science run amok and although cinema’s first
The Brain (1988) – Review
Born from what I’d assume to be the paranoid fever dream of someone who mainlined way too much maple syrup, the 1988 Canadian oddity known
Mortal Engines (2018) – Review
I don’t know about you, but I always find it somewhat awkward when I settle down to watch a big, lush movie based on a
Slime City (1988) – Review
Sometimes all a film needs to exist is the will of someone who isn’t afraid to scrape up a budget in order to immortalise utter
In The Line Of Fire (1993) – Review
Has there been anyone one else in Hollywood who has managed to encapsulate the notion of the aging hero better than Clint Eastwood? Oh sure,
The Purge (2013) – Review
Regardless of your personal feelings about Blumhouse’s franchise of political psycho-thrillers, you can’t deny they’ve burrowed into the public consciousness to an impressive degree –
Return Of Daimajin (1966) – Review
Displaying the same kind of confidence reserved usually for James Cameron’s ever expanding plans for his Avatar sequels, Daiei films back in 1966 released a
Grizzly II: Revenge (2020) – Review
Much like an unkillable creature in the final act of a nature run amock horror/thriller, some animals just don’t know when to stay dead. But
Oblivion (2013) – Review
At what point does a film that steals lots of other movie’s concepts for it’s own reach a point where all those ideas end up
White House Down (2013) – Review
In yet another example of seperate Hollywood studios wheeling out the exact same concept to do battle like two hideously unoriginal Pokemon trainers, 2013 saw
Mortal Kombat (2021) – Review
Over the past couple of years, the much maligned genre of video game adaptations has been crawling ever closer to that elusive four star review
Ewoks: The Battle For Endor (1985) – Review
After the unquenchable thirst for more Star Wars content birthed the impressively ropey Caravan Of Courage back in 1984, it appeared that viewing figures would
Resident Evil: Apocalypse (2004) – Review
After squeezing out the lacklustre (yet depressingly profitable) videogame adaptation Resident Evil, Paul W.S. Anderson decided to move onto pastures new when the temptation to
Caravan Of Courage: An Ewok Adventure (1984) – Review
Could you imagine a Jar Jar Binks movie where he has a side adventure to babysit a precious child, or even a Tarzan style movie
Daimajin (1966) – Review
In 1966, Daiei Studios were seeing quite the success with their film slate which was chiefly made up of samurai pics and monster movies –
Rats: Night Of Terror (1984) – Review
When he wasn’t ripping of Romero (Zombie Creeping Flesh), Rambo (Strike Commando) and Cameron (Shocking Dark), Italian schlock artist Bruno Mattei is probably also famous
Stone Cold (1991) – Review
As the 80’s faded into a spandex clad, cocaine dusted memory, the action genre was in a state of flux. It’s holy trinity of guiding
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