From it’s first shot of a samurai slicing a zombie in two, Ryuhei Kitamura’s 2000 berserker breakout Versus aimed to put a familiar spin on
From it’s first shot of a samurai slicing a zombie in two, Ryuhei Kitamura’s 2000 berserker breakout Versus aimed to put a familiar spin on
Whilst in the midst of production of their bargain bin, blockbuster epic: The Toxic Avenger Part II, Lloyd Kaufman and Michael Herz realized that they
While the title may off-handedly sound like slang for being aroused (as in: “Oooh, I’m feeling a bit quigley, down under!”), this 90’s crack at
After making literally all of the money that 1990 had to offer, a sequel to the adaptation of Eastman and Laird’s gonzo comic concoction was
After the suprising success of The Toxic Avenger put alternative indie movie studio on the map, founders Lloyd Kaufman and Michael Herz were on a
Released in 2016 to universal acclaim, Yeon Sang Ho’s Train To Busan was the best thing to happen to the zombie genre in bloody ages.
Back in ’84, Kevin Eastman and Peter Laird’s nutzoid, yet devilishly compelling indie comic was unleashed on the world and promptly caught on like fucking
Synonymous with extreme farcical splatter and copious, tongue in cheek nudity, independent movie making faction Troma Studios has been selflessly dedicating itself to notoriously un-PC,
I’ve been fairly vocal in the past about the works of one Zachary Edward Snyder – a man who seemingly has no use for the
I’m fairly sure that I’ve brought up this point before – many times, probably – but sometimes it’s virtually impossible to translate Stephen King’s more
Having effortlessly conquered dystopian, cyberpunk sci-fi with The Matrix (and then fucking it up a bit with the sequels) the Wachowski siblings decided they’d try
The biggest problem you could possibly face being a Korean filmmaker with aspirations of crafting a zombie film is that there’s absolute no way in
Annual celebrations attract their very own horror themed movies: it’s a rule that’s been set in stone thanks to seasonal slashers such as Black Christmas,
Having a sharp tonal shift in your franchise is a dicey business and while it may keep things fresh for the faces behind the camera,
Lussier and Todd Farmer has been noticeably absent of late, which is a shame considering their last two collaborations where light-footed exercises in trashy fun.
Undoubtedly one of the greatest filmmakers of his generation, Francis Ford Coppola, despite regularly touching on the horrors that man inflicts on man, had never
Regardless of how much we all complained, the immensely frustrating habit that the Millennium had of remaking 80’s action classics continued unabated with a glossy,
While still relatively new to the sword clashing and empire trashing worlds of Kung Fu that were brought to us by our friends, The Shaw
The first Fright Night was a fun 80’s throwback to classic vampire movies of days gone by, which gradually ascended to cult classic status thanks
Riding high from the plaudits hurled at the Affleck/Damon scripted Good Will Hunting, Gus Van Sant dove straight into his next project with the same