Admit it. When YOU first heard that the Planet Of The Apes franchise was going to be yanked back into life (possibly while in a
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Dune (1984) – Review
We live in a time when seemingly unfilmable novels of mammoth size and complexity have finally been wrestled down to manageable length for our voracious
Raiders Of The Lost Ark (1981) – Review
By as early as 1981, Steven Spielberg had pretty much already set his legacy in concrete with the releases of the genre defining Jaws and
Unhinged (2020) – Review
Cinema has more than it’s fair share of mental cases lurking in plain sight, just waiting to obsessively stalk normal, everyday folk for our entertainment.
Tenet (2020) – Review
What with pandemics and social anxiety making the world around us an ever more stressful environment, you may be forgiven for feeling the urge to
The New Mutants (2020) – Review
The X-Men have faced many an obstacle in their long and varied career that includes everything from Magneto’s latest hissy fit to Mojo desperately needing
Crawl (2019) – Review
Over the last couple of years there’s been an impressive assault on the multiplexs by the Phoenix style resurgence of the killer shark movie. Finally
Meet The Feebles (1989) – Review
To most, Peter Robert Jackson is the keeper of Middle-Earth, a man second only to J.R.R. Tolkien himself when it comes to realising THE greatest
Phantasm (1979) – Review
During the 70’s, the horror genre had made huge steps in moving away from the cobwebby old backdrops of Hammer’s various movies thanks to the
Ong-Bak (2003) – Review
There’s a story about sternum-crushing Thai juggernaut Tony Jaa that I really hope is true. When asked during an interview who his influences are, one
The Faculty (1998) – Review
For the vast majority of us, negotiating the social pitfalls of education was (or still is) a rollercoaster ride of flaring hormones, various attempts at
The Old Guard (2020) – Review
Immortals wandering among us while striving to avoid rubbing their death-resistant existence in the faces of us “normies” isn’t exactly a new concept but new
Jurassic World: Fallen Kingdom (2018) – Review
After the ungodly amount of moolah raked in by the franchise-reviving Jurassic World, it seems that the Jurassic Park series is a dab hand at
Planet Of The Apes (2001) – Review
Once upon a time, Hollywood had a full-proof solution when working out how to bring a quirky, big budget project to the big screen: if
The Host (2006) – Review
Not to be confused with the many other movies out there that’s claimed this admittedly derivative title, Bong Joon-ho’s genre blending monster mash emerged from
Hard Boiled (1992) – Review
While no doubt conjuring images to the uninitiated of a documentary about egg preparation, those of you who only know Hong Kong action maestro John
G.I. Joe: Retaliation (2013) – Review
So I think we can all agree that the live action bow of Hasbro’s 3.75-inch, square jawed global enforcers could hardly be described as a
Jurassic World (2015) – Review
Films that divide audiences like Moses compartmentalising the Dead Sea aren’t exactly new, especially in these times of toxic fandom and the internet giving everyone
Battle For The Planet Of The Apes (1973) – Review
As the Apes franchise ground onward to it’s fifth and final instalment during what’s known as the “classic” section of the franchise, it was becoming
G.I. Joe: The Rise Of Cobra (2009) – Review
When enjoying/enduring the delights of a big budget summer flick, it often helps to deploy something that I call “the inner twelve year old”, an
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