The “first” Jumanji (or would that technically be second?) was somewhat of a very welcome surprise. Taking the formula of the 90’s orginal and bringing
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Die Hard 2 (1990) – Review
After Die Hard swung in on a firehose from the flaming wreckage of an exploding high rise and changed the face of action movies as
Licence To Kill (1989) – Review
Unfairly maligned on release, Licence To Kill was an attempt to make a 007 adventure that would peak the interest of the “modern” action fan.
Die Hard (1988) – Review
While I won’t indulge in the seemingly endless debate of whether Die Hard is a Christmas movie or not (it totally is and fuck anyone
The Living Daylights (1987) – Review
As the song goes, Everything Old Is New Again and as Roger Moore shuffled off into the James Bond retirement village to smoke cigars and
A View To A Kill (1985) – Review
And so finally (and some would say mercifully) we come to the final film in Roger Moore’s impressive seven film run as 007 – licence
Gremlins (1984) – Review
Some people would have you believe that there is no such thing as the perfect movie and that’s true – after all it’s statistically impossible
Octopussy (1983) – Review
There’s an image in Octopussy, the 6th appearance of Roger Moore as secret agent James Bond, that has continuously fascinated me ever since I got
Jumanji: Welcome To The Jungle (2017) – Review
I, like most people, inwardly and outwardly groaned at the prospect of a Jumanji remake. I mean, I’ve never been the type to turn my
For Your Eyes Only (1981) – Review
After Moonraker had rudely shoved it’s way to the front of the line to get filmed and succeeded in pushing England’s favorite secret agent into
The Predator (2018) – Review
So after lengthy reshoots and an awkward scandal or two, we finally get to set our sights on Shane Black’s reboot of The Predator (not
Moonraker (1979) – Review
As the credits rolled on the magnificent slab of camp excellence that is The Spy Who Loved Me, the closing legend announced confidently that James
Godzilla: City On The Edge Of Battle (2018) – Review
The first Toho/Polygon/Netflix animated Godzilla jam, despite boasting legitimately arresting visuals, was something of an anticlimactic slog, promising far more than it ultimately delivered. Way
Superman Returns (2006) – Review
After nearly 20 years away from the big screen, Warner Brothers – no doubt inspired by the glowing warmth of the warming glow given to
Krampus (2015) – Review
As Krampus starts and the velvety strains of Perry Como singing “It’s Beginning To Look A Lot Like Christmas” ironically play over scenes of people
The Spy Who Loved Me (1977) – Review
While it’s often easy (and fairly fun) to take pot shots at Roger Moore’s tenure as Ian Flemming’s super spy, there is one absolute you
Knives Out (2019) – Review
After Rian Johnson got decidedly polar opposite reactions for his crack at the Skywalker Saga with The Last Jedi (a heap of internet trolling vs.
Superman IV: The Quest For Peace (1987) – Review
Good lord, is this a piece of shit…The next time you find yourself discussing the finer details of Superman’s life up on the silver screen
The Man With The Golden Gun (1974) – Review
After dipping Bond’s manicured pinky into a different exploitation genre with Live And Let Die, the filmmakers at Eon Productions figured that if dumping 007
Killer Klowns From Outer Space (1988) – Review
With recent box office assaults by various face painted villains of various backgrounds, the phenomenon of murderous and freaky clowns has never been more popular.
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