When looked at objectively, the sizable legend of Bruce Lee actually contains a suprisingly small amount of material with a handful of TV appearances and
Category: Action
Die Another Day (2002) – Review
As inevitable as the the ebb and flow of the tide or the inexorable march of the seasons, sooner or later time catches up with
The World Is Not Enough (1999) – Review
A frequent charge leveled at the Bond franchise is that they sometimes have a irritating habit of peaking too early, placing the crown jewel of
6 Underground (2019) – Review
Netflix has come a long way when it comes to it’s film purchases… after all the leap from barely decent action B-movies to barely decent
Mission: Impossible – Fallout (2018) – Review
I guess from this point on, there can be no more discussion about how surprisingly strong the M:I series is or about how it’s a
The Meg (2018) – Review
And so with a massive splash and a shitload of teeth, we get Hollywood’s latest attempt to liberate the killer shark genre from the clutches
Tomorrow Never Dies (1997) – Review
After Goldeneye reinstated James Bond as a cinematic force to once again be reckoned with, the stage was set for Pierce Brosnan’s sophomore crack at
Lethal Weapon (1987) – Review
To the strains of Jingle Bell Rock, director Richard Donner leads us by the hand through that OTHER Christmas themed, super violent actioner that for
Goldeneye (1995) – Review
After a couple years off to lick wounds inflicted upon him by the somewhat unfair critical mauling of Licence To Kill, James Bond returned to
Die Hard 2 (1990) – Review
After Die Hard swung in on a firehose from the flaming wreckage of an exploding high rise and changed the face of action movies as
Licence To Kill (1989) – Review
Unfairly maligned on release, Licence To Kill was an attempt to make a 007 adventure that would peak the interest of the “modern” action fan.
Die Hard (1988) – Review
While I won’t indulge in the seemingly endless debate of whether Die Hard is a Christmas movie or not (it totally is and fuck anyone
The Living Daylights (1987) – Review
As the song goes, Everything Old Is New Again and as Roger Moore shuffled off into the James Bond retirement village to smoke cigars and
A View To A Kill (1985) – Review
And so finally (and some would say mercifully) we come to the final film in Roger Moore’s impressive seven film run as 007 – licence
Octopussy (1983) – Review
There’s an image in Octopussy, the 6th appearance of Roger Moore as secret agent James Bond, that has continuously fascinated me ever since I got
For Your Eyes Only (1981) – Review
After Moonraker had rudely shoved it’s way to the front of the line to get filmed and succeeded in pushing England’s favorite secret agent into
The Predator (2018) – Review
So after lengthy reshoots and an awkward scandal or two, we finally get to set our sights on Shane Black’s reboot of The Predator (not
Moonraker (1979) – Review
As the credits rolled on the magnificent slab of camp excellence that is The Spy Who Loved Me, the closing legend announced confidently that James
The Spy Who Loved Me (1977) – Review
While it’s often easy (and fairly fun) to take pot shots at Roger Moore’s tenure as Ian Flemming’s super spy, there is one absolute you
The Man With The Golden Gun (1974) – Review
After dipping Bond’s manicured pinky into a different exploitation genre with Live And Let Die, the filmmakers at Eon Productions figured that if dumping 007
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