Oh sure, HBO managed to change the face of television with the Sopranos, but when it came to altering the type of content you could
Oh sure, HBO managed to change the face of television with the Sopranos, but when it came to altering the type of content you could
What possesses a director at the height of their powers to suddenly decide to tackle a remake? Is it ego? Is it the urge to
Possibly my most favorite thing about so-called “final chapters” is that they very seldom actually are. Jason Vorhees famously got 2, the X-Men’s Last Stand
They say revenge is a dish best served cold, that doesn’t necessarily mean is has to be cooked in the heat if rage. Proof of
Back in the late seventies/early eighties, the loveable, opportunistic movie studio known as Cannon would apparently just have a stack of scripts for creaky thrillers
When you think of the 80s, Hong Kong cinema, chances are you whip up thoughts of one of Jackie Chan’s frenetic action comedies or John
As any clown in the circus business will tell you, it’s all about the big finish. Build up is vital of course, but all the
When any kind of long running horror franchise tries to make some sort of claim that it’s going back to its roots, then it’s usually
Say what you will about the high-kicking antics of the muscles from Brussels, but despite his rep for being a second tier action star (under
Just how many reboots does a film need?Obviously, if you’re taking into account how many versions of Frankenstein, Dracula and Little Women there’s been, then
If there’s one thing I find fascinating about genres, is that not only do their popularity switch and vary over time, but the genres, and
No one does sprawling crime epics quite like Martin Scorsese. Throughout the length and breath of his illustrious career, he’s cast his cinematic eye over
The problem with any kind of long running IP is when you get to a certain point in your universe, there’s always that danger that
As if the minds behind It: Welcome To Derry hadn’t already done enough to let us know that TV wouldn’t be taking the kid-eating antics
Space. It may be considered the final frontier, but for a surprising amount of horror icons, it’s also been something of a last resort. Such
War is Hell. After a succession of movies that sprang out of the savagery of Francis Ford Coppola’s Apocalypse Now, Steven Spielberg’s Saving Private Ryan
As we continue our path through the baffling entity known as the Sniper Franchise, we reach the section of the series that really baffled me.
Stories of spectacular rags to hideous riches are as American as apple pie – after all, what signifies the American dream more than someone making
Horror filmmakers can try to put as many unspeakable terrors on the screen as they can, but all the boogeymen, monsters and apparitions in the
Sequels tend to be fairly straightforward affairs, right? Follow up an earlier film with a continuing storyline that delivers all the things you liked about