Once scratched by the ridiculously large talons of a demon, your imminent change into one of the drooling, snarling monsters is pretty fast – that
Category: Horror
Demons (1985) – Review
While Dario Argento, the Italian maestro of murder, would rarely step outside of his comfort zone of stunningly brutal whodunnits (commonly known as the Giallo
Encounters Of The Spooky Kind (1980) – Review
Those of you unfamiliar with the industry changing works of Sammo Hung outside of that late 90’s show Martial Law is missing a treat. Hung
Fright Night 2: New Blood (2013) – Review
The direct to DVD sequel conundrum is something that’s stuck in my craw for some time now and I guess now is as good as
Top 5 Crazy Kills Of Jason Voorhees
Over the years, Pamela Voorhees’ baby boy has amassed an eyebrow raising array of kills over the entirety of the Friday The 13th franchise making
The Conjuring 2 (2016) – Review
After raking in the dollars and scaring up it’s very own combined universe, James Wan’s The Conjuring was destined to be granted a sequel as
Willy’s Wonderland (2021) – Review
Ever since Nicolas Kim Coppola (known to fans and foes alike as Nicolas Cage) switched up his roles to match the type of deranged acting
Fright Night (2011) – Review
By my calculations, on a long enough timeline, pretty much every movie you hold dear will be remade in some form or another. Take 1985’s
Slither (2006) – Review
I genuinely believe that if more movies were like Slither, James Gunn’s glorious pastiche of 50’s monster movies given a hilarious blast of punk rock
Diary Of The Dead (2007) – Review
The late, great George Romero was more than capable at trying his hand at all kinds of horror, but the man will forever be linked
Tales From The Crypt Presents: Demon Knight (1995) – Review
Long before shows like The Walking Dead and Game Of Thrones pushed the envelope of the amount of sex and gore you could get away
The Babysitter (2017) – Review
If you were to cast an eye over the directorial career of McG, a pattern starts to emerge of a blockbuster director who really had
Class Of Nuke ‘Em High III: The Good, The Bad And The Subhumanoid (1994) – Review
The good, the bad and the subhumanoid; it’s the latest movie from Michael and Lloyd!” blares the title song as the credits mercifully roll on
Blood Beach (1981) – Review
Blood Beach aficionados would probably “um, actually” my lumping in of 1980’s Jaws wannabe Blood Beach into the killer animals genre and I’m loathe to
The Invisible Man (1933) – Review
One of the less utilized members of the gang of misshapen creatures known collectively as the Universal Monsters is the Invisible Man. Believe it or
Abbott And Costello Meet Frankenstein (1948) – Review
By the mid-40’s, Universal Studios were still looking for any way they could to keep their legendary stable of marauding monsters profitable. Their bright idea?
Candyman: Day Of The Dead (1999) – Review
What is it about the creations of Clive Barker that make them so difficult to sequelize without his core concepts collapsing into steaming piles of
Bride Of Frankenstein (1935) – Review
When people start chipping in when asked about the greatest sequels ever made, I’m always sorta pissed that in among the usual retorts of The
Silent Hill: Revelation (2012) – Review
Christophe Gans 2006 adaptation of the smash hit game Silent Hill didn’t exactly set the world on fire despite it’s visually stunning depictions of Hell
The Mummy (1932) – Review
Those who got their primary fix of undead Egyptians from 1999’s The Mummy (or even Tom Cruise’s 2017 version, Anubis forbid) have some cinematic archeology
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