After the hugely favourable reception the Hammer got for their ever-so-dashing version of Mary Shelley’s Frankenstein (not to mention the similar thumbs up they got
Category: Review
Ms. Marvel – Season 1, Episode 3: Destined
If there’s one thing I’ve noticed about the streaming content of the MCU’s Phase 4 is that no matter how good the show is, there’s
Hellraiser: Revelations (2011) – Review
Why are the horror icons of the eighties so difficult to recast? Dracula and Frankenstein’s Monster never had this trouble, with Gary Oldman and Robert
Ash Vs Evil Dead – Season 1, Episode 2: Bait (2015) – Review
After the pilot dropped us back into the world of demon killing dumbass, Ashley J. Williams and the gibbering hordes of the undead with a
[REC]³: Genesis (2012) – Review
Changing what makes a hit franchise work can be a perilous business, just ask the filmmakers behind Halloween III. Screw with convention all you want,
Hellraiser (1987) – Review
The 80’s were an insanely fertile time for the horror genre where genuinely imaginative and freakish classics were seemingly sprouting up everywhere. 1981 alone gave
Piranha 2: The Spawning (1981) – Review
If James Cameron had his way – and to be honest, he usually does – his illustrious filmography of box office breaking, cinematic world building
Friday The 13th (2009) – Review
With all the horror remakes whizzing around the place during the noughties, it’s frankly amazing that a Friday The 13th remake took so long to
Aquaman (2019) – Review
Sea-Thor, Sea-Thor, on the sea floor?After one of the most disappointing payoffs in cinema history scuppered all that good will provided by Wonder Woman, you
Godzilla: King Of The Monsters (2019) – Review
Despite Gareth Edwards’ gritty, more realistic take on Toho’s Tokyo flattening superstar, some felt that the 2014 Godzilla maybe wasn’t all it could have been.
Venom (2018) – Review
Much like the titular, drooly comic book counterpart himself, Venom’s second attempt at cinematic immortality is a rather confused beast plagued by many different voices
Thor: Ragnarok (2017) – Review
Thor’s series of solo movies have always been seen as Marvel’s fifth wheel so to speak. His sweet – but slight – origin movie and
Mission: Impossible – Fallout (2018) – Review
I guess from this point on, there can be no more discussion about how surprisingly strong the M:I series is or about how it’s a
The Meg (2018) – Review
And so with a massive splash and a shitload of teeth, we get Hollywood’s latest attempt to liberate the killer shark genre from the clutches
Friday The 13th (1980) – Review
In the fittingly cutthroat world of Hollywood, sometimes the line between art and business isn’t quite as fine as some would have you believe –
The Predator (2018) – Review
So after lengthy reshoots and an awkward scandal or two, we finally get to set our sights on Shane Black’s reboot of The Predator (not
Godzilla: City On The Edge Of Battle (2018) – Review
The first Toho/Polygon/Netflix animated Godzilla jam, despite boasting legitimately arresting visuals, was something of an anticlimactic slog, promising far more than it ultimately delivered. Way
Mandy (2017) – Review
That feeling you get when Nicolas Cage emerges from his self imposed, bill paying, direct to DVD hell and stars in an absolute blinder is
Godzilla (2014) – Review
We’ve been here before…The last time Hollywood tried to tackle Japan’s biggest export we were left standing in the unfortunate wreckage of Roland Emmerich’s 1998
Zombieland: Double Tap
“Belated” sequels have been known to be problematic at times, just ask Henry Jones Jr.. With the passing of time slowly eroding the movie’s momentum
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