After the pilot dropped us back into the world of demon killing dumbass, Ashley J. Williams and the gibbering hordes of the undead with a
Category: Review
[REC]³: Genesis (2012) – Review
Changing what makes a hit franchise work can be a perilous business, just ask the filmmakers behind Halloween III. Screw with convention all you want,
Hellraiser (1987) – Review
The 80’s were an insanely fertile time for the horror genre where genuinely imaginative and freakish classics were seemingly sprouting up everywhere. 1981 alone gave
Piranha 2: The Spawning (1981) – Review
If James Cameron had his way – and to be honest, he usually does – his illustrious filmography of box office breaking, cinematic world building
Friday The 13th (2009) – Review
With all the horror remakes whizzing around the place during the noughties, it’s frankly amazing that a Friday The 13th remake took so long to
Aquaman (2019) – Review
Sea-Thor, Sea-Thor, on the sea floor?After one of the most disappointing payoffs in cinema history scuppered all that good will provided by Wonder Woman, you
Godzilla: King Of The Monsters (2019) – Review
Despite Gareth Edwards’ gritty, more realistic take on Toho’s Tokyo flattening superstar, some felt that the 2014 Godzilla maybe wasn’t all it could have been.
Venom (2018) – Review
Much like the titular, drooly comic book counterpart himself, Venom’s second attempt at cinematic immortality is a rather confused beast plagued by many different voices
Thor: Ragnarok (2017) – Review
Thor’s series of solo movies have always been seen as Marvel’s fifth wheel so to speak. His sweet – but slight – origin movie and
Mission: Impossible – Fallout (2018) – Review
I guess from this point on, there can be no more discussion about how surprisingly strong the M:I series is or about how it’s a
The Meg (2018) – Review
And so with a massive splash and a shitload of teeth, we get Hollywood’s latest attempt to liberate the killer shark genre from the clutches
Friday The 13th (1980) – Review
In the fittingly cutthroat world of Hollywood, sometimes the line between art and business isn’t quite as fine as some would have you believe –
The Predator (2018) – Review
So after lengthy reshoots and an awkward scandal or two, we finally get to set our sights on Shane Black’s reboot of The Predator (not
Godzilla: City On The Edge Of Battle (2018) – Review
The first Toho/Polygon/Netflix animated Godzilla jam, despite boasting legitimately arresting visuals, was something of an anticlimactic slog, promising far more than it ultimately delivered. Way
Mandy (2017) – Review
That feeling you get when Nicolas Cage emerges from his self imposed, bill paying, direct to DVD hell and stars in an absolute blinder is
Godzilla (2014) – Review
We’ve been here before…The last time Hollywood tried to tackle Japan’s biggest export we were left standing in the unfortunate wreckage of Roland Emmerich’s 1998
Zombieland: Double Tap
“Belated” sequels have been known to be problematic at times, just ask Henry Jones Jr.. With the passing of time slowly eroding the movie’s momentum
Dreamcatcher (2003) – Review
Just because you are the world’s preeminent horror author, it doesn’t mean that you’re not gonna produce the odd stinker every now and then and
First Man
Dealing with the space race to land on the moon during the 1960’s and primarily Neil Armstrong’s mental state during that time, First Man is
Salem’s Lot (1979) – Review
After Brian DePalma’s adaptation of Stephen King’s novel Carrie hit big the race was on to adapt the author’s books pretty much as fast as
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