Despite being a somewhat consistently inconsistent run of films, Toho’s Millenium Era of Godzilla movie had each been fairly fun affairs, but if truth be
Since its kickoff in 1999 with Godzilla 2000, the Millenium Era of Godzilla movies had kept up a strict, unbroken run of keeping each entry
Another entry into the Millennium series of Godzilla movies and yet another reboot…While the previous era of Godzilla movies (the Heisei Era, if anyone’s asking)
While Godzilla’s much hyped rebirth into the realms of Japanese cinema had kicked off in entertaining fashion, you could hardly describe Godzilla 2000 as being
Godzilla, the big, radioactive lizard with serious mood issues, has been stomping cities flat for over 60 years now, with over 30 titles to his
Godzilla Vs. Mechagodzilla II (which is a title that blatantly makes no sense seeing as it’s a technically ser in a rebooted universe) is generally
After a nearly unbroken string of movies ranging from good to very good, the Heisei series of Godzilla films had but up quite a head
After Godzilla’s previous outing to give Japan a clouting – the furiously timey timey Godzilla Vs. King Ghidorah – parent studio Toho decided to keep
And so finally here we all are. It’s been over a 30 year wait to see what the Ewok after-party would bring in the wake
On screen, Star Wars is a franchise that has continuously obsessed with it’s own past. Prequels, animated shows and Rogue One all busied themselves by
After the relative box office disappointment of Godzilla’s previous attempt at levelling the skyline of Tokyo into something resembling the Arizona Flats, Toho Studios reasoned
You’d think that after getting Godzilla back on his feet with a much publicized resurrection , Toho would be eager to put their largest franchise
We Have Issues 