The Vampire Lovers (1970) – Review

Back in their glory days, the vampire-themed horror movies Hammer Films released into an unsuspecting public were always charged with a subtle sexual energy, what

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Elvis (1979) – Review

The filmography of John Carpenter may not be one that initially seems like it could be home to the legend known as Elvis Aaron Presley

Taste The Blood Of Dracula (1970) – Review

For any studio that tends to focus on a more singular output, the name of the game is to try and make sure your product

Squirm (1976) – Review

While describing the 70’s output of nature going crazy movies as a heyday may strain your personal definition of what a heyday should be, there’s

Midway (1976) – Review

When filmmakers opt to make a film that covers a large aspect of a war, they invariably find themselves faced with something of a Sophie’s

The Eagle Has Landed (1976) – Review

World War II men on a mission movies: we all know them and we all love them (the good ones, anyway) but sometimes, aside from

Lust For A Vampire (1971) – Review

It’s not exactly ground breaking to declare that, compared to most other horror movies made at the time, Hammer Films’ output was noticeably hornier than

Dark Star (1974) – Review

Everybody has to start somewhere and in the case of deliriously influential film director, John Carpenter, the start was a forty minute student film made

Kingdom Of The Spiders (1977) – Review

One of the more fondly remembered killer bug movies of the 70’s, Kingdom Of The Spiders is a film that, much like its eight legged

Someone’s Watching Me! (1978) – Review

Usually, digging up an old TV movie made by an established director is usually the act of a completist fan who wishes to finish off

Vampire Circus (1972) – Review

It may be something of a hot take, but when comparing Hammer’s unreasonably sizable catalogue of vampire movies side by side, you start to realise

Countess Dracula (1971) – Review

As Hammer Films cruised into the 70’s, expanding upon the elevated sex and violence the changing times and audience demand required, there was sometimes a

Twins Of Evil (1971) – Review

After lesbian tinged The Vampire Lovers and Lust For A Vampire, Hammer Films closed out their lusty Karnstein Trilogy with Twins Of Evil, an apparent

Hands Of The Ripper (1971) – Review

Hammer Films was chiefly renowned for their revolutionary contributions to the horror genre, but when they weren’t slapping a new coat of paint on such

Blood From The Mummy’s Tomb (1971) – Review

As the production line of Hammer Films trundled on provide its audiences with their fourth and final Mummy pic, a rash of behind the scenes

Escape From Alcatraz (1979) – Review

Over four collaborations that had started in 1968 with Coogan’s Bluff and ended in 1971 with the seminal Dirty Harry, the team of Don Siegel

The Fearless Hyena (1979) – Review

After years of honing his particular brand of Kung fu laced with broad physical comedy in such flicks as Snake In The Eagle’s Shadow and

Eaten Alive (1976) – Review

After The Texas Chainsaw Massacre had cut a bloody swathe through cinemas and drive-ins up and down America, maverick/lunatic Tobe Hooper had a decision to

Joe Kidd (1972) – Review

How many westerns have you watched where the lead character (usually played by the charismatic human sneer known as Clint Eastwood) strides into town and

The Legend Of The 7 Golden Vampires (1974) – Review

When studios pool their resources the results sometimes tend to be a little erratic. Now, when I say pooling, I don’t mean two Hollywood powerhouses

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