1970s – Page 4 – We Have Issues

Kelly’s Heroes (1970) – Review

February 21, 2024 greigzilla

Back in the glory days of the Second World War movie, you could always count on selfless acts of heroism to save the day as

Season Of The Witch (1972) – Review

February 5, 2024 greigzilla

Not to be confused with the Michael Myers-less, third installment of the Halloween franchise or the 2011, medieval, Nicolas Cage clunker, Season Of The Witch

Logan’s Run (1976) – Review

January 18, 2024 greigzilla

Dystopian futures are a funny old thing. Just as long as humankind’s civil liberties are being well and truly ploughed in the rear, the faceless

Martin (1977) – Review

January 4, 2024 greigzilla

George A. Romero had already earned himself a reputation for adding an original spin on classic horror tropes thanks to his bold reinvention of the

Daigoro Vs. Goliath (1972) – Review

December 21, 2023 greigzilla

In a world of Godzillas, Gameras and Mothras, it’s often nice to spare the odd thought for the Varans, Gorgos and Mighty Peking Men; old

Death Wish (1974) – Review

December 15, 2023 greigzilla

It’s strange how the progression of a franchise can colour your perception of the original movie. Take Michael Winner’s Death Wish for example; a 1970s

The Crazies (1973) – Review

December 8, 2023 greigzilla

Horror has always had it’s more than its fair share of social commentary, but the 70s was it’s own animal entirely. Fueled by the anti-establishment

The Towering Inferno (1974) – Review

November 21, 2023 greigzilla

In the world of disaster movies, where meteorites fall, cities crumble and luxury ocean liners roll over easier than a puppy wanting its belly scratched,

Duel (1971) – Review

October 8, 2023 greigzilla

Even filmmakers who created the modern blockbuster, changed populist cinema forever and arguably gave us more iconic moments on the big screen than any other

The Way Of The Dragon (1972) – Review

September 1, 2023 greigzilla

When Bruce Lee tragically passed, we didn’t just lose a martial arts superstar and a cinematic legend, but we also were cheated out of the

Earthquake (1974) – Review

July 8, 2023 greigzilla

The very second the that ill-fated cruise liner did half a barrel roll in The Poseidon Adventure, the race was on to copy and paste

The Big Boss (1971) – Review

July 7, 2023 greigzilla

They say that a star that burns twice as bright only burns half as long and if that is truly the case, then Bruce Lee

The Cat o’ Nine Tails (1971) – Review

July 3, 2023 greigzilla

After setting Italian Giallo cinema ablaze with his stunningly stylish debut, The Bird With The Crystal Plumage, Dario Argento had something of an impossible task

A Bay Of Blood (1971) – Review

June 27, 2023 greigzilla

When people throw around well deserving names like Dario Argento and Lucio Fulci when describing the pinnacles of Italian horror, another name that isn’t hurled

Exorcist II: The Heretic (1977) – Review

June 13, 2023 greigzilla

Sequelizing William Friedkin’s The Exorcist was never going to be an easy job as, for all intents and purposes, it’s as perfect a horror film

The Blood On Satan’s Claw (1971) – Review

June 6, 2023 greigzilla

When people discuss the roots of the freakishly unnerving sub-genre known as Rural Horror, you can bet your bottom dollar that someone will undoubtedly yell

Convoy (1978) – Review

June 4, 2023 greigzilla

If someone grabbed me while I was walking down the street and suddenly demanded to know the best and easiest way to describe Convoy, Sam

The Magnificent Seven Ride! (1972) – Review

June 1, 2023 greigzilla

The Magnificent Seven, in many ways, is the perfect American western insofar that it takes its mythical (and borrowed) premise and infuses it with enough

The Warriors (1979) – Review

May 20, 2023 greigzilla

Here’s a message for all you boppers out there… Walter Hill was a filmmaker that enjoyed toying with stories that concerned themselves with unabashed alpha

The Exorcist (1973) – Review

May 16, 2023 greigzilla

Of all the horror movies that’s ever existed, surely William Friedkin’s legendary possession session, The Exorcist must be the most infamous motion picture of them

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