The House That Dripped Blood (1971) – Review

After a slow start (for a 60s horror studio at least), what would eventually become known as Amicus Productions portmanteau series finally shifted into a

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Tales From The Crypt (1972) – Review

No one could quite line ’em up and knock ’em down like an EC Comics story, those gloriously nasty comic book morality tales that hit

The Devil’s Rain (1975) – Review

Oh sure, the horror subgenre known as Satanic Panic may have made a bit of a resurgence in the last couple of years with Exorcist

The Return Of Count Yorga (1971) – Review

In the annals of iconic Vampire beings, there’s only a few big names that truly stand out. There’s Count Orlork of course; there’s obviously the

Count Yorga, Vampire (1970) – Review

Thanks to the iconic efforts of both Universal Studios and Hammer, the domain of the Vampire had comfortably been established since the 30s as lush

Frenzy (1972) – Review

Alfred Hitchcock is usually considered the purveyor of the classy thriller, giving his complex scenarios an air of respectability regardless of having his movies packed

Foxy Brown (1974) – Review

In 1973, actress Pam Grier and director Jack Hill poured some Coffy onto the blaxploitation genre with awesomely sleazy results as socially conscious nurse, Flower

Coffy (1973) – Review

70s exploitation cinema is nothing to fuck around with. If you’re of a nervous disposition and prefer your heroes more clean cut and virtuous, then

Tourist Trap (1979) – Review

The 70s certainly knew how to hold it’s own when it came to the realms of weird-ass horror. Don Coscerelli’s gloriously trippy Phantasm effortlessly turned

When Dinosaurs Ruled The Earth (1970) – Review

Hammer obviously still saw gold in the whole prehistoric fantasy thing after the sight of Raquel Welch fleeing stop-motion thunder lizards in One Million Years

Every Which Way But Loose (1978) – Review

Every actor makes the odd baffling decision every now and then, but I suppose it’s a fairly natural thing when you want to tale a

Deliverance (1972) – Review

For such a seemingly “normal” director as John Boorman, he didn’t half go all in when it came to cramming cinema full of batshit, crazy.

Captain Kronos: Vampire Hunter (1974) – Review

Despite making more vampire movies than you can shake a rubber bat at, Hammer Studio could never be accused of resting on their laurels. Be

The Shape Of Things To Come (1979) – Review

While George Lucas shouldn’t really be blamed for every cut price, dollar store, sci-fi rip-off he inflicted on history after birthing Star Wars onto a

Zardoz (1974) – Review

Picture the scene… A giant stone head floats above a barren landscape as it bellows the phrase “The gun is good! The penis is evil!”

The Psychic (1977) – Review

Anyone familiar with the more outrageous moments of Lucio Fulci’s output will no doubt be aware that once the maniacal sod entered the gorier era

The Outlaw Josey Wales (1976) – Review

Often, people say that life is not so much about the destination than it is about the journey and it’s a motto that turns out

The Mighty Peking Man (1977) – Review

Insisting that all the 70s remake of King Kong was missing was more Asians and a far hornier ape, Shaw Brothers studios broke away from

Torso (1973) – Review

Say what you will about the Giallo genre, they certainly don’t hold back when naming a movie. Renamed to a shorter and more succinct “Torso”

Kelly’s Heroes (1970) – Review

Back in the glory days of the Second World War movie, you could always count on selfless acts of heroism to save the day as

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