Crouching Tiger, Hidden Dragon (2000) – Review

In the right set of hands, any genre can play to any audience, even one that might not think that a particularly type if film

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Gangster No.1 (2000) – Review

I’ve never been overly keen on British Gangster movies. Not the classic ones like The Long Good Friday and Get Carter, no I’m cool with

Ringu 0 (2000) – Review

How vital are origin stories, really? If you’re a superhero I’d argue that they’re pretty damn important unless you’re understandably bored of seeing Uncle Ben

Leprechaun In The Hood (2000) – Review

Out of all the returning horror icons that ever existed, surely the Leprechaun is the most traveled. While the various tour dates taken by various

Reindeer Games (2000) – Review

Just in case you were wondering, it isn’t just Die Hard and various Shane Black thrillers that are the only actioners to take place at

Romeo Must Die (2000) – Review

The year was 2000. Hollywood martial arts had finally broken into the big time with the release of The Matrix the year prior and it

Urban Legends: Bloody Mary (2005) – Review

Shifts in subgenre midway through a franchise aren’t as rare (or as desperate) as they might initially sound, it’s just how you handle it that

Gone In 60 Seconds (2000) – Review

The powerhouse producing duo of Jerry Bruckheimer and Don Simpson undeniably changed the face of Hollywood during the 1980s by giving it an unfeasibly glossy

Urban Legends: Final Cut (2000) – Review

It’s generally agreed that the golden age of slasher movies lasted from 1978 and 1984 – although there’s an argument to be made that the

The 6th Day (2000) – Review

In one of the more interesting rabbit holes of moviedom is something I like to call The 6th Day conundrum. Picture this: The 90s have

Chicken Run (2000) – Review

By the time 2000 rolled along, Aardman Animations were already providing iconic magic with skillfully manipulated plasticine thanks to the Oscar winning efforts of Wallace

Vampire Hunter D: Bloodlust (2000) – Review

Back in 1985 the Anime world introduced us to the derranged gumbo of influences that made up the utterly bonkers concept behind Vampire Hunter D.

Ginger Snaps (2000) – Review

For decades, the modern werewolf genre was held in the vice like grip of two of the finest werewolf movies to ever howl at the

Shadow Of The Vampire (2000) – Review

One of the most important vampire films – nay, horror films – ever made is F.W. Murnau’s silent classic, Nosferatu: A Symphony Of Horror. Scuttling

Vertical Limit (2000) – Review

Martin Campbell has something of an impressive record when it comes to bringing back faded actioners to their former glories. After all, not only did

Cabin Fever 2: Spring Fever (2009) – Review

The saying goes that from little acorns, mighty oaks grow, but I guess no one was expecting anything mighty from director Ti West after the

Highlander: Endgame (2000) – Review

We now live in a time when a franchise can now effortlessly slip between the boundaries of TV and cinema with relatively simple ease with

Uzumaki (AKA. Spiral) (2000) – Review

When the Japanese turn their eye to horror, you’re always going to get something weird, be it the analogue terrors of The Ring or the

Bruiser (2000) – Review

Despite a lot of casual horror fans being utterly unaware that it exists, Bruiser was something of a big deal when it made its bow

Rush Hour 3 (2007) -Review

After Rush Hour 2 did the business at the box office, the franchise seemed primed to high kick confidently into trilogy territory, and yet a

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