Thor’s series of solo movies have always been seen as Marvel’s fifth wheel so to speak. His sweet – but slight – origin movie and
Tag: 2010s
Star Wars: The Rise Of Skywalker (2019) – Review
2019 seems to be the year that epic sagas reach the end of the road. Marvel spectacularly rounded up 11 years of storytelling with their
6 Underground (2019) – Review
Netflix has come a long way when it comes to it’s film purchases… after all the leap from barely decent action B-movies to barely decent
Mission: Impossible – Fallout (2018) – Review
I guess from this point on, there can be no more discussion about how surprisingly strong the M:I series is or about how it’s a
The Meg (2018) – Review
And so with a massive splash and a shitload of teeth, we get Hollywood’s latest attempt to liberate the killer shark genre from the clutches
Jumanji: The Next Level (2019) – Review
The “first” Jumanji (or would that technically be second?) was somewhat of a very welcome surprise. Taking the formula of the 90’s orginal and bringing
Jumanji: Welcome To The Jungle (2017) – Review
I, like most people, inwardly and outwardly groaned at the prospect of a Jumanji remake. I mean, I’ve never been the type to turn my
The Predator (2018) – Review
So after lengthy reshoots and an awkward scandal or two, we finally get to set our sights on Shane Black’s reboot of The Predator (not
Godzilla: City On The Edge Of Battle (2018) – Review
The first Toho/Polygon/Netflix animated Godzilla jam, despite boasting legitimately arresting visuals, was something of an anticlimactic slog, promising far more than it ultimately delivered. Way
Krampus (2015) – Review
As Krampus starts and the velvety strains of Perry Como singing “It’s Beginning To Look A Lot Like Christmas” ironically play over scenes of people
Knives Out (2019) – Review
After Rian Johnson got decidedly polar opposite reactions for his crack at the Skywalker Saga with The Last Jedi (a heap of internet trolling vs.
Upgrade (2018) – Review
Just because you haven’t got a budget to finance a small Latin American Country, doesn’t you can’t splurge on big ideas in your science fiction
Mandy (2017) – Review
That feeling you get when Nicolas Cage emerges from his self imposed, bill paying, direct to DVD hell and stars in an absolute blinder is
21 Bridges (2019) – Review
With multimillion dollar exploding CGI fests scorched earth-ing cinemas virtually every month, it’s always nice every now and then to view something a little smaller
Little Monsters (2019) – Review
The “feel good” horror movie is an elusive beast. In a genre that continuously strives to make it’s audiences feel thrillingly shitty, the act of
Ford Vs. Ferrari (2019) – Review
It’s weirdly ironic that Ford Vs. Ferrari has been released under another title in some territories (as Le Mans’ 66) as the film itself, whatever
Godzilla (2014) – Review
We’ve been here before…The last time Hollywood tried to tackle Japan’s biggest export we were left standing in the unfortunate wreckage of Roland Emmerich’s 1998
Mission: Impossible Ghost Protocol (2011) – Review
Once the credits rolled on J.J. Abrams M:I 3, it seemed that the runny, flippy, dangling-off-shit exploits had come to an end for Tom Cruise’s
Gerald’s Game (2017) – Review
Before Neflix utilised Mike Flannigan’s talents for their Haunting Of Hill House series and before he wrangled Stephen King for the big screen with Doctor
Men In Black 3 (2012) – Review
It seems that with every subsequent Men In Black sequel there is constant rumours of chaos during production and major issues concerning actors schedules that
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