Back in 2022, Parker Finn fixed us with a Smile that was surprisingly effective despite essentially being incredibly derivative of other movies such as The
Tag: 2020s
Transformers One (2024) – Review
OK. I’ll admit it. Despite bring a fan of the Transformers franchise (I’m a G1 guy, if you’re wondering), even I was struggling to be
Salem’s Lot (2024) – Review
For long time fans of Stephen King, a rather severe case of deja vu has been going about lately concerning adaptions of his earliest novels.
Terrifier 3 (2024) – Review
The seemingly meteoric rise of Art the Clown has managed to make the biggest, bloodiest dent in the ranking of the horror icon since Jigsaw
The Reef: Stalked (2022) – Review
Whether you’ve noticed or not, Andrew Traucki has been diligently been hurling apex predators at hapless holiday goers for quite a while now, starting with
Wrong Turn (2021) – Review
How deep does a franchise have to twist itself into the ground before the word is given to hit the reboot button? Well, if history
Oddity (2024) – Review
Subtle horror, usually involving various ghosties and curses, can often prove to be a mixed bag if not handled right. Go too subtle and you
V/H/S/Beyond (2024) – Review
Well, another year and another installment of V/H/S pops up on Shudder as regular as clockwork. However, if any of you are reading any kind
Jackpot! (2024) – Review
The notion of a dsytopian America turned into a vapid, violent wasteland thanks to ignorance and greed is hardly a new one – especially since
Hellboy: The Crooked Man (2024) – Review
I have to admit, I’m still having troubles moving from a world where Ron Pearlman isn’t playing Hellboy. Now I have to admit, I wasn’t
Megalopolis (2024) – Review
Once upon a time, a new breed of director descended upon an antiquated Hollywood armed to the teeth with new ideas and visions that would
Wolfs (2024) – Review
Remember when pure, good old star power used to drive a movie and the prospect of having two headlining stars go head to head on
Never Let Go (2024) – Review
It’s always interesting when you have a film director willing to change up their entire style to fit a film. Take French horror director Axelandre
Greedy People (2024) – Review
“Coen-esque” is a term usually thrown at any quirky crime epic that sees everyday people discover how ruthless they can be when a sizable chunk
The Union (2024) – Review
Blue collar James Bonds are kind of a dime a dozen these days. I mean, Vin Diesel gave us Xander Cage in xXx, while Kingsman
The Substance (2024) – Review
One term that’s hurled around a lot these days (especially by me) is “Cronenbergian”. For those not in the know, it’s shorthand to describe movies
Speak No Evil (2024) – Review
Anyone out there seen George Sluizer’s The Vanishing?At first glance that might not seem like much of a loaded question, but your answer may vary
Guillermo Del Toro’s Pinocchio (2022) – Review
As a lot of us have no doubt forgotten, a lot of classic fairy tales are steeped in darkness, pain and tragedy as to not
Rebel Ridge (2024) – Review
There’s a distinct feeling that Netflix just can’t win when it comes to their exclusive movies. If they put out one of their glossy, empty,
Beetlejuice Beetlejuice (2024) – Review
When you actually stop to consider just how completly out of its mind Tim Burton’s Beetlejuice is, it’s something of a major motion picture miracle
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