In what seems to be a year of unlikely action heroes, we’ve already seen the likes of Jake Gyllenhaal and Dev Pattel get unconscionably ripped
Tag: 2020s
Infested (2023) – Review
I may just be speaking for myself here, but one thing that managed to cure me from being a quivering arachophobe is the fact that
Rebel Moon Part Two: The Scargiver (2024) – Review
To demonize or deify Zack Snyder? Which do you choose? Well, to be blunt, the correct answer is obviously neither, but the manufactured mystique that
Challengers (2024) – Review
Two opponents stand opposite each other, separated only by distance and a single net. One of them serves and the two embark on an intense
Abigail (2024) – Review
I don’t know if you’ve noticed it or not, but vicious killers that take the form of sweet, unassuming little girls has become weirdly prominent
Blood Red Sky (2021) – Review
Vampires are such versatile creatures. Starting as refined predators that lurked in dusty old castles in Transylvania and eventually spreading into the modern world like
Civil War (2024) – Review
Writer Alex Garland has never been afraid to ruffle more feathers than someone who massages poultry for a living, but it’s in his directorial career
Mako (2021) – Review
What with streaming services opening up more and more opportunities to get your movie seen on a wider scale, more countries seem to be pumping
Monkey Man (2024) – Review
When word got out that Dev Patel was going to make his directorial debut, people probably wasn’t that surprised that he would use this opportunity
The First Omen (2024) – Review
To be honest, neither nunsploitation Omen prequel or dueling demon baby movies were on my 2024 bingo card, but here we are.While I try hard
No Way Up (2024) – Review
Low budget killer shark movies seem to descend onto streaming services these days with the swarming ferocity of a feeding frenzy as each cash-strapped title
Saltburn (2023) – Review
Despite having enough of an English rose feel about her to portray Camilla Parker Bowles in Netflix’s The Crown, writer, director and actor Emerald Fennall
Godzilla x Kong: The New Empire (2024) – Review
Can you believe that Legendary’s MonsterVerse has been chugging along now for nearly a decade after Gareth Edward’s delivered his rather serious and stoic adaptation
Ghostbusters: Frozen Empire (2024) – Review
Ever since the Ghostbusters trapped their first spirit, it seemed that no matter how hard Hollywood tried, they just couldn’t capitalise on a franchise. However,
Immaculate (2024) – Review
What is it with all these nun-related horror flicks suddenly erupting all over the place? In the last few years alone have we’ve had Prey
Road House (2024) – Review
When it comes to “reimagining” (read: remaking) classic films from the 80s, filmmakers wisely stuck close to genres that could translate well to more modern
Late Night With The Devil (2023) – Review
I’ve always been slightly worried if the horror genre can possibly keep its effectiveness in these times of streaming, where pinpoint scares, creeping dread and
Next Goal Wins (2023) – Review
Is it me, or has legendary Kiwi cut-up Taika Watiti lost his edge a bit? I only ask because after a string of heartfelt, indie
Lisa Frankenstein (2024) – Review
For anyone whoever watched Juno, screenwriter Diablo Cody was an obvious horror fan who’s numerous references included nods to Dario Argento and Herschell Gordon Lewis,
Poor Things (2023) – Review
When a filmmaker finds a muse that lights a nitro under their butt, the results are often electric. Marty Scorsese has both Leo and Bobby
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