Adaptations and variations of Bram Stoker’s Dracula are ten a penny, in fact, I’d go as far to say that there’s probably been more cinematic
Tag: 2020s
Spaceman (2024) – Review
Whenever Adam Sandler decides to tackle a role with substance – rather than shape an entire comedy around just him hanging with his mates –
Imaginary (2024) – Review
The imagination of a child is fertile ground for horror as there seems to be no limit to the depths of the unspeakable terrors they
Damsel (2024) – Review
It’s a sad fact that women have been fighting off monsters of various shapes and sizes since humans have been walking upright, but when looking
Dune: Part Two (2024) – Review
Back in 2021, director Denis Villeneuve took a massive risk by tackling one of the white whales of sci-fi literature, Frank Herbert’s Dune. Not only
Madame Web (2024) – Review
It’s truly remarkable how much mileage Sony Pictures have gotten from its live action Spider-Man Universe despite the fact that Spider-Man isn’t actually in it.
The Iron Claw (2024) – Review
Anyone even remotely familar with the world of wrestling knows that it’s a life that can cause way more damage than a stiff clothesline or
Deep Fear (2023) – Review
In the dark, blue depths of the killer shark movie, there is a dorsal thin line between a movie about sharks eating people and movie
Argylle (2024) – Review
Just what is it with Matthew Vaughn and spy movies? I mean in a career that started off very firmly in the British gangster movie
Baghead (2023) – Review
I guess sometimes it’s nice to have an idea first, but if somebody else manages to do a better job, then not even the powers
The Beekeeper (2024) – Review
During his directorial career of angst ridden action thrillers, David Ayer has explored the self-loathing brotherhood of war (Fury), the self-loathing brotherhood of super villainy
Destroy All Neighbors (2024) – Review
Sure, logic, maturity and a sense of decorum are cool and all, but sometimes (a lot of times, actually) nothing helps slap a big, dumb
V/H/S/85 (2023) – Review
You have to give streaming services credit, once they hit a hot streak they rarely ease up on the gas. A healthy example of this
Ferrari (2023) – Review
Sports biopics about cars seem to be a prevailing sub-genre these days, but even among the throng of revving engines and actual happenings, an entry
Night Swim (2024) – Review
Sometime last year, an upcoming union was announced that had the potential to shake the horror genre to the very core of its foundations. On
V/H/S/99 (2022) – Review
By all accounts, the V/H/S franchise had reached the end of its tape after the lackluster response to third entry in the series, V/H/S: Viral.
Silent Night (2023) – Review
Can you believe it’s been twenty years since Hong Kong action maestro John Woo last presided over frenzied gunplay on American soil? After his much
Aquaman And The Lost Kingdom (2023) – Review
Even though the imminent demise of the endlessly beleaguered DCEU has been common knowledge for some time now, the controversial connected universe has longer to
V/H/S/94 (2021) – Review
While being generally of the same, inconsistent, quality of previous V/H/S installments, there was a noticable feeling that the anthology franchise had become somewhat unwound
Godzilla Minus One (2023) – Review
In some regards, modern Godzilla fans don’t quite know how tough they’ve got it, after all, the previous three eras of Toho’s returning city smasher
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