During this unexpected, third age of the slasher movie, we’ve had some impressive variations on the stalk and slash theme that’s managed to differentiate it
Tag: 2020s
Napoleon (2023) – Review
While Hollywood certainly has it’s fair share of work horses, surely one of the most impressive work ethics toiling today belongs to Ridley Scott, the
Thanksgiving (2023) – Review
When it comes to those cracking fake trailers made for the intermission of Quentin Tarantino and Robert Rodriguez’s failed cinematic experiment, Grindhouse, only Rodriguez has
Totally Killer (2023) – Review
For better or worse (mostly better), the effects of Chrstopher Landon’s genre blending Happy Death Day are still keenly being felt as every year now
The Killer (2023) – Review
It’s been a while since legendarily meticulous director, David Fincher and alarmingly pessimistic screenwriter Andrew Kevin Walker last collaborated fully on a feature film (Walker
When Evil Lurks (2023) – Review
I always tend to get a little giddy when someone approaches a well traveled horror subgenre in a way that ends up not only pumping
Suitable Flesh (2023) – Review
I’ve never wanted to be one of those people who declares their generation’s movies the best simply because they are incapable (or unwilling) to move
Five Nights At Freddy’s (2023) – Review
Aw man. And it looked like video game movies were getting better, too…For those of you who didn’t know, Five Nights At Freddy’s is a
It Lives Inside (2023) – Review
You’d have to think that wherever Wes Craven exists in the great beyond, he’s been looking over the last few years of horror cinema with
Killers Of The Flower Moon (2023) – Review
The prospect of any new Scorsese project coming down the pipe is always a tantalising moment, but there’s always that extra burst on endorphins when
The Exorcist: Believer (2023) – Review
After his Halloween legacy trilogy, I think it’s safe to say that David Gordon Green is something of a controversial figure in the hallowed halls
Pet Sematary: Bloodlines (2023) – Review
For series of movies whose repeated mantra is the incredibly catchy “Sometimes, dead is better”, its deeply ironic that the Pet Sematary has somehow spawned
The Creator (2023) – Review
As much as I enjoy it whenever a distinctive, new voice that’s shown up to put a new spin on a classic genre gets sucked
Saw X (2023) – Review
If the Saw franchise had a talent for anything, aside from concocting genuinely flabbergasting ways for human beings to mutilate themselves, it’s that it had
Jung_E (2023) – Review
While the ever-present spectre of A.I. looms over us, one bright side that’s come from all this global anxiety seems to be that any filmmaker
The Deep House (2021) – Review
Where would modern horror be without desperate young people willing to do ridiculous things all in the name of compiling YouTube content? In these strange,
Expend4bles (2023) – Review
The first Expendables, in many ways, was a cast list in search of a story as a horde of classic action heroes jostled for space
No One Will Save You (2023) – Review
It’s somewhat surprising that more filmmakers haven’t attempted to blur the lines between a home invasion and an alien invasion like someone grafted together the
A Haunting In Venice (2023) – Review
In this current climate of mega sequels and connecting universes, there’s something reliably old fashioned about Kenneth Branagh’s continuing attempts to bring Agatha Christie back
The Nun II (2023) – Review
Not to be a stick in the mud, but I’ve never been overly enthused when it comes to the time hopping twists and turns of
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