The Commuter (2018) – Review

Does Liam Neeson suffer from problems with unfamiliarity or something? I mean, we all like a daily routine, but by 2018 it really did seem

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Bastille Day (2016) – Review

Anyone else think how it’s genuinely weird it is that so many horror directors suddenly find themselves directing action flicks nowadays? If it isn’t the

Bulletproof (1987) – Review

It’s not like we need any more examples, but just in case you felt a more under the radar example was needed to prove that

3000 Miles To Graceland (2001) – Review

Some movies feel like they were always destined to be made. That their creation was perfectly timed and formed in the very stars themselves, that

The Furious (2025) – Review

It seems that every decade, the gods of ludicrously brutal martial arts movies see fit to deliver us generational examples of very angry people pounding

Homefront (2013) – Review

Whether you appreciate the bald, hard-hitting stylings of Jason Statham or not, you have to admit that he’s certainly etched his name into the mighty

Night Of The Juggler (1980) – Review

I suppose I’d best make space in that file in my brain that’s labeled “How The Hell Had I Not Seen This Before?”, because I

Priest (2011) – Review

Sometimes your first instinct is bang on the money. Based on a Korean comic book I’ve never read which was in turn based on a

Non-Stop (2014) – Review

While Taken certainly has the bragging rights for making Liam Neeson a late-career action star, you really can’t under-sell the efforts of director Jaume Collet-Serra

Premium Rush (2012) – Review

Bike messengers. Not exactly the most beloved members of our city streets, are they? Whizzing in and out of traffic, mounting pavements and generally being

Normal (2025) – Review

Should we be concerned about Bob Odenkirk’s self confidence, or something? The former Saul Goodman may appear, Liam Neeson style, as a mature-aged action stalwart

The Punisher: One Last Kill (2026) – Review

If you were to tell me only ten years ago that not only would we get an uncompromising, unedited and unsanitized version of the Punisher,

Mortal Kombat II (2026) – Review

I don’t think anyone was truly claiming that 2021’s Mortal Kombat was a flawless victory, but there was certainly enough positive stuff going on in

Jack Reacher: Never Go Back (2016) – Review

Back in 2012, despite delivering solid thrills, Tom Cruise’s first stint as Lee Child’s Jack Reacher offered up a compelling argument for why size really

Tekken (2010) – Review

It’s a strange fact that despite fighting games arguably having the least plot of any video game genre (there’s a tournament, people fight), there is

The Man In The Iron Mask (1998) – Review

Be it via the numerous film versions that have some down the pipe over the years, or even from diligently watching every episode of Dogtanian

Apex (2026) – Review

For the latest Netflix premiere to grace our screens, we find ourselves thrust into the Australian outback for a survival thriller that amasses a veritable

Jack Reacher (2012) – Review

When adapting a character from book to film, how important is it that the physical embodiment of a beloved protagonist matches that of his literary

Baywatch (2017) – Review

Much like video games, Anime and comic book movies during the 90s, the road of movie adaptations of beloved TV shows has been about as

Pretty Lethal (2026) – Review

Is it me, or have the latest batch of woman-led action films been a little… familiar? Not that I’m trying to put the boot into

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