Alfred Hitchcock – We Have Issues

To Catch A Thief (1955) – Review

August 3, 2026 greigzilla

While Alfred Hitchcock was famous for stretching tension and plot twists to their absolute limit, that hardly meant that the old boy didn’t like to

Rope (1948) – Review

July 26, 2026 greigzilla

Most movies would have you believe that there’s only two types of murder. There’s the ugly, vicious kind usually found in slasher flicks and action

The Man Who Knew Too Much (1956) – Review

January 23, 2026 greigzilla

No one in the movie business is above tackling a remake. Be it Steven Spielberg altering the likes of A Guy Like Joe, or redoing

Marnie (1964) – Review

January 5, 2025 greigzilla

If there’s anything that Alfred Hitchcock loved more than an impeccably plotted setpiece or perfectly planned shot, it probably was taking the fraying psyche of

Frenzy (1972) – Review

July 7, 2024 greigzilla

Alfred Hitchcock is usually considered the purveyor of the classy thriller, giving his complex scenarios an air of respectability regardless of having his movies packed

Stage Fright (1950) – Review

May 31, 2024 greigzilla

After making a slew of cutting edge thrillers in Hollywood since 1939, Alfred Hitchcock decided to return to home soil to make Stage Fright, a

Rear Window (1954) – Review

May 24, 2024 greigzilla

To say that Alfred Hitchcock loved a gimmick is an understatement the size of claiming that Norman Bates is close to his mum; but in

North By Northwest (1959) – Review

May 20, 2024 greigzilla

After crafting a filmography full of malicious mistaken identities and craven conspiracies, how does someone like Alfred Hitchcock let his hair down after decades of

The Birds (1963) – Review

May 11, 2024 greigzilla

“The Birds Is Coming!” screamed early ads for Alfred Hitchcock’s horror/thriller, simultaneously giving grammar nazis an utter conniption and alerting 60s cinema goers that something

Dial M For Murder (1954) – Review

April 29, 2024 greigzilla

Despite being labelled a Master of Suspense who regularly delved into the dark recesses of the human psyche in thrillers concerning murder, deceit and scandal,

Vertigo (1958) – Review

April 28, 2024 greigzilla

Preserving the secret of a film that’s armed itself with devastating twist is becoming something of a lost art. Be it through careless posting on

Strangers On A Train (1951) – Review

April 20, 2024 greigzilla

Give Alfred Hitchcock a decent plot and the man was untouchable – his intuitive use of the camera would certainly guarantee that – but give

I Confess (1953) – Review

April 8, 2024 greigzilla

Hitchcock was always credited with being a master of suspense who was able to wring nerve-shattering tension with almost any scenario placed in front of