Revolver (2005) – Review

It’s not easy to break out of a box you’ve put yourself in, but after Guy Ritchie’s third film – Madonna/Ritchie vanity project Swept Away

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Now You See Me: Now You Don’t (2025) – Review

I have to be honest, while the Now You See Me movies may walk that perilous tightrope between flashy and obnoxiously smug, I’ve kind of

Now You See Me 2 (2016) – Review

When it came to glossy, enjoyable and utterly ludicrous nonsense that still, inexplicably made you want to punch the air with glee, the 2013 heist

Innocent Blood (1992) – Review

When it comes to the all time king of spectacular movie concepts that didn’t quite come off, surely squatting awfully close to the throne has

The General’s Daughter (1999) – Review

Where do you go after crafting ludicrously entertaining action romp Con Air? Well, for director Simon West you apparently shoot for the complete tonal opposite

Righteous Kill (2008) – Review

It’s an inescapable fact that nobody’s perfect. Think of your most cherished cinematic idol and chances are they screwed the pooch at least one time

The Nice Guys (2016) – Review

Films come and films go, and while some that barely seem worthy of attention get franchises that seemingly twirl off into infinity, other, more worthy

The Taking Of Pelham One Two Three (1974) – Review

There’s something about a 70s thriller that just hits different. Maybe because it was a decade so utterly berefted of sanded down edges that just

Caught Stealing (2025) – Review

Surely I can’t have been the only one to notice that there’s been a clutch of modest thrillers popping up that’s hoping to bring the

The Thursday Murder Club (2025) – Review

We all love a whodunit now it seems, and whether it’s Kenneth Branagh’s version of Hercule Poirot, or Daniel Craig’s lusciously accented Benoit Blanc, there

Hell Or High Water (2016) – Review

Back in the days of the classic western, the division between the black and white hats who would clash over the law were as clearly

Man On Fire (2004) – Review

Thanks to movies like Taken, the subgenre of formerly dramatic actors suddenly becoming indestructible avenging angels have become a regular sight when someone wants to

Naked Gun 33⅓: The Final Insult (1994) – Review

Depending on where you sit on the rise/fall of the spoof comedy in American cinema, the third and final cinematic outing of Leslie Nielsen’s Frank

The Naked Gun 2½: The Smell Of Fear (1991) – Review

If you ever needed evidence that writing spoof comedy is like walking a razor, all you have to do is look and the microscopic differences

The Naked Gun: From The Files Of Police Squad! (1988) – Review

There’s an old adage that reads “at first you don’t succeed, try, try again” and despite the comedic team of ZAZ (Zucker, Abrahams, Zucker) nailing

Dick Tracy (1990) – Review

Passion projects, especially ones set in a more fantastical realm, rarely ever go well, but even so, Dick Tracy must have looked like a sure

Drive (2011) – Review

It’s always a fascinating thing when a director with a more elusive style makes something that accessible enough to be embraced by the general audience.

Den Of Thieves 2: Pantera (2025) – Review

Not to come down too hard on Christian Gudegast’s gritty, 2018 crime flick, but possibly the most overwhelming twist that came out of that film

Casino (1995) – Review

During the 1990s, Martin Scorsese crafted a gangster movie that became embraced as one of – if not the – greatest mob movie ever made.

Triple 9 (2016) – Review

Heist films tend to mostly  be either unfeasibly well oiled machines of slick, technical expertise or zippy quirk-fests that see an ensemble banter just as

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