The Thursday Murder Club (2025) – Review

We all love a whodunit now it seems, and whether it’s Kenneth Branagh’s version of Hercule Poirot, or Daniel Craig’s lusciously accented Benoit Blanc, there

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Hell Or High Water (2016) – Review

Back in the days of the classic western, the division between the black and white hats who would clash over the law were as clearly

Man On Fire (2004) – Review

Thanks to movies like Taken, the subgenre of formerly dramatic actors suddenly becoming indestructible avenging angels have become a regular sight when someone wants to

Naked Gun 33⅓: The Final Insult (1994) – Review

Depending on where you sit on the rise/fall of the spoof comedy in American cinema, the third and final cinematic outing of Leslie Nielsen’s Frank

The Naked Gun 2½: The Smell Of Fear (1991) – Review

If you ever needed evidence that writing spoof comedy is like walking a razor, all you have to do is look and the microscopic differences

The Naked Gun: From The Files Of Police Squad! (1988) – Review

There’s an old adage that reads “at first you don’t succeed, try, try again” and despite the comedic team of ZAZ (Zucker, Abrahams, Zucker) nailing

Dick Tracy (1990) – Review

Passion projects, especially ones set in a more fantastical realm, rarely ever go well, but even so, Dick Tracy must have looked like a sure

Drive (2011) – Review

It’s always a fascinating thing when a director with a more elusive style makes something that accessible enough to be embraced by the general audience.

Den Of Thieves 2: Pantera (2025) – Review

Not to come down too hard on Christian Gudegast’s gritty, 2018 crime flick, but possibly the most overwhelming twist that came out of that film

Casino (1995) – Review

During the 1990s, Martin Scorsese crafted a gangster movie that became embraced as one of – if not the – greatest mob movie ever made.

Triple 9 (2016) – Review

Heist films tend to mostly  be either unfeasibly well oiled machines of slick, technical expertise or zippy quirk-fests that see an ensemble banter just as

Den Of Thieves (2018) – Review

I believe it was a wise man who once said “You come at the king, you best not miss” (it was Omar from The Wire

Heathers (1988) – Review

To accurately snag an entire generation into worshiping your teen movie, it helps to remember a few things: you probably shouldn’t attempt to talk down

The Penguin – Season 1, Episode 1: After Hours (2024) – Review

Matt Reeves’ The Batman was the latest attempt to try and see just how dingy and serious Hollywood could get the Dark Knight and even

Heavenly Creatures (1994) – Review

Have you ever taken a step back and fully appreciated how frickin’ insane Peter Jackson’s journey from Bad Taste to Lord Of The Rings truly

Edmond (2005) – Review

On paper, a union between splattery horror director Stuart Gordon and celebrated writer David Mamet seems like an odd combination. Had Gordon hit the mainstream

The Bikeriders (2023) – Review

No matter what, even the most scowling, masculine brute needs a sense of belonging to get them through this unfeasibly random shit show we call

Point Blank (1967) – Review

The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;

Strangers On A Train (1951) – Review

Give Alfred Hitchcock a decent plot and the man was untouchable – his intuitive use of the camera would certainly guarantee that – but give

The Wrong Man (1956) – Review

Alfred Hitchcock is, was, and ever will be revered as the Master of Suspense as his countless thrillers allowed him to play merry Hell with

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