After the confusing denouement of 1998’s Phantasm: Oblivion, it seemed that Don Coscerelli’s far out horror odessy had finally been laid to rest with no
After the confusing denouement of 1998’s Phantasm: Oblivion, it seemed that Don Coscerelli’s far out horror odessy had finally been laid to rest with no
It’s a common fact that when your horror franchise continues over an extended period of time the audience tends to shrink until only the faithful
Back in 1979, indie filmmaker Don Coscerelli realised that to make some money, maybe he should shift his efforts from making family movies like Kenny
During the 70’s, the horror genre had made huge steps in moving away from the cobwebby old backdrops of Hammer’s various movies thanks to the
Cinemas in 1982 were positively groaning under the sheer weight of fantasy movies that included such titles like Conan The Barbarian, The Dark Crystal, Dragonslayer
Don Coscarelli may not be a household name when it comes to cinematic purveyors of fright – not as much as John Carpenter and George