Alfred Hitchcock is, was, and ever will be revered as the Master of Suspense as his countless thrillers allowed him to play merry Hell with
Tag: Film Review
Godzilla x Kong: The New Empire (2024) – Review
Can you believe that Legendary’s MonsterVerse has been chugging along now for nearly a decade after Gareth Edward’s delivered his rather serious and stoic adaptation
Deathstalker II: Duel Of The Titans (1987) – Review
Despite its cult leanings that probably stemmed from a generation of youngsters being enthralled by the acres of exposed flesh on display, the original Deathstalker
The Outlaw Josey Wales (1976) – Review
Often, people say that life is not so much about the destination than it is about the journey and it’s a motto that turns out
Sherlock Holmes: A Game Of Shadows (2011) – Review
After Guy Richie, Robert Downey Jr. and Jude Law delivered their predictably bombastic take on Athur Conan Doyle’s legendary sleuth, the notion of a sequel
Yonggary (1999) – Review
The 90s were something of a banner decade for Kaiju, with numerous genre efforts thundering into town on a yearly basis. Not only did Toho
The Mighty Peking Man (1977) – Review
Insisting that all the 70s remake of King Kong was missing was more Asians and a far hornier ape, Shaw Brothers studios broke away from
Sinister 2 (2015) – Review
The horror genre is always on the lookout for its next, marketable mascot; however, the choice to try and make a franchise out of Scott
Ghostbusters: Frozen Empire (2024) – Review
Ever since the Ghostbusters trapped their first spirit, it seemed that no matter how hard Hollywood tried, they just couldn’t capitalise on a franchise. However,
Immaculate (2024) – Review
What is it with all these nun-related horror flicks suddenly erupting all over the place? In the last few years alone have we’ve had Prey
Road House (2024) – Review
When it comes to “reimagining” (read: remaking) classic films from the 80s, filmmakers wisely stuck close to genres that could translate well to more modern
Smokey And The Bandit Part 3 (1983) – Review
Some franchises are bigger than the stars who populate them thanks to a central concept that can generate interest regardless of who is front an
Late Night With The Devil (2023) – Review
I’ve always been slightly worried if the horror genre can possibly keep its effectiveness in these times of streaming, where pinpoint scares, creeping dread and
Next Goal Wins (2023) – Review
Is it me, or has legendary Kiwi cut-up Taika Watiti lost his edge a bit? I only ask because after a string of heartfelt, indie
Lisa Frankenstein (2024) – Review
For anyone whoever watched Juno, screenwriter Diablo Cody was an obvious horror fan who’s numerous references included nods to Dario Argento and Herschell Gordon Lewis,
Poor Things (2023) – Review
When a filmmaker finds a muse that lights a nitro under their butt, the results are often electric. Marty Scorsese has both Leo and Bobby
Manhattan Baby (1982) – Review
For those not in the know, Lucio Fulci is one of the greatest paradoxes of Italian horror cinema. His movies were often stunningly shot with
Red 2 (2013) – Review
Some films ingrain themselves on your psyche with the intensity of a laser aimed at a secret agent’s crotch and creates an indelible core memory
The Last Voyage Of The Demeter (2023) – Review
Adaptations and variations of Bram Stoker’s Dracula are ten a penny, in fact, I’d go as far to say that there’s probably been more cinematic
Spaceman (2024) – Review
Whenever Adam Sandler decides to tackle a role with substance – rather than shape an entire comedy around just him hanging with his mates –
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