When you think of the name Stuart Gordon, you tend to think of H.P. Lovecraft adaptations, outlandish gore and – more often than not –
Tag: Film Review
It Lives Inside (2023) – Review
You’d have to think that wherever Wes Craven exists in the great beyond, he’s been looking over the last few years of horror cinema with
Killers Of The Flower Moon (2023) – Review
The prospect of any new Scorsese project coming down the pipe is always a tantalising moment, but there’s always that extra burst on endorphins when
Missing In Action (1984) – Review
The eccentric ups and downs and chaotic business practices of Menahem Golan and Yoram Globus’ Cannon Group are well documented, but one of the most
Source Code (2011) – Review
There’s the general consensus that Chesney Hawkes loving director, Duncan Jones, has been on a downward spiral since his feature debut, Moon, obliterated us in
Bad Taste (1987) – Review
Some films aren’t just mere films. Some films are less a matter of direction, acting and editing and more about the sheer force of will
300 (2006) – Review
Throughout his very notable career, the indomitable Zack Snyder and his filmography has swung wildly between having me be genuinely impressed with his distinctive, muscular
Darkman II: The Return Of Durant (1995) – Review
Man, direct to video sequels sure were different back in my day…Apologies for starting this review with a textbook old-guy rant, but in these days
Anacondas: Trail Of Blood (2009) – Review
While the previous installment of the Anaconda franchise was hardly a cinematic masterpiece, its awfulness was strangely watchable in a stoned-at-three-in-the-morning kind of way –
Invaders From Mars (1953) – Review
Thanks to some typically histrionic dialogue, some gaudy sets and some special effects that – let’s be honest, here – often haven’t aged particularly well,
Black Hawk Down (2001) – Review
In order to place you deeply into the maelstrom of cacophonous hell that is war, filmmakers often have to embrace the chaos if they’re going
Monsters (2010) – Review
Usually when filmmakers set out to make a giant monster movie, they have to figure out how to get that delicate balance between the humans
The Exorcist: Believer (2023) – Review
After his Halloween legacy trilogy, I think it’s safe to say that David Gordon Green is something of a controversial figure in the hallowed halls
Duel (1971) – Review
Even filmmakers who created the modern blockbuster, changed populist cinema forever and arguably gave us more iconic moments on the big screen than any other
Pet Sematary: Bloodlines (2023) – Review
For series of movies whose repeated mantra is the incredibly catchy “Sometimes, dead is better”, its deeply ironic that the Pet Sematary has somehow spawned
The Creator (2023) – Review
As much as I enjoy it whenever a distinctive, new voice that’s shown up to put a new spin on a classic genre gets sucked
Saw X (2023) – Review
If the Saw franchise had a talent for anything, aside from concocting genuinely flabbergasting ways for human beings to mutilate themselves, it’s that it had
Lake Placid: The Final Chapter (2012) – Review
When it comes to the breeding habits of actual crocodiles, females are known to nest as often as every year, or every couple of years,
Jung_E (2023) – Review
While the ever-present spectre of A.I. looms over us, one bright side that’s come from all this global anxiety seems to be that any filmmaker
The Deep House (2021) – Review
Where would modern horror be without desperate young people willing to do ridiculous things all in the name of compiling YouTube content? In these strange,
We Have Issues 